News: Neon’s Palme d’Or Winner ‘Fjord’ Sets October Release Date (EXCLUSIVE)

News: Neon’s Palme d’Or Winner ‘Fjord’ Sets October Release Date (EXCLUSIVE)

Variety

“Fjord,” a searing family drama that won the Palme d’Or at Cannes Film Festival, will hit theaters in the fall.

Neon, which acquired the movie a year ago, has slated “Fjord” for Oct. 9, the same release date as the studio’s prior Palme winners including “Parasite,” “Anora” and “Anatomy of a Fall.” All of those films went on to score Oscar nominations, with “Parasite” and “Anora” landing the statue for best picture.

Directed by Romanian filmmaker Cristian Mungiu, “Fjord” stars Sebastian Stan and Renate Reinsve as the parents of a Romanian family with strict religious beliefs who move to a small village in Norway. When bruises are noticed on their daughter’s body at school, their five children are taken away from them and a legal saga ensues. Variety’s Guy Lodge called the film a “brilliantly knotted social drama, writing that “everything is happening at all times in ‘Fjord,’ as befits a film sharply attuned to the world’s ever-expanding possibilities for movement, misunderstanding and conflict.”

Mungiu previously won Cannes’ highest honor, the Palme d’Or, in 2007 with “4 Months, 3 Weeks and 2 Days,” and was later awarded the festival’s best screenplay prize in 2012 for “Beyond the Hills” and the best director prize in 2016 for “Graduation.”

“Fjord” extended a remarkable winning streak for Neon, which has scored a record seven consecutive Palme d’Ors starting with Bong Joon Ho’s “Parasite” and continuing with Julia Ducournau’s “Titane,” Ruben Östlund’s “Triangle of Sadness,” Justine Triet’s “Anatomy of a Fall,” Sean Baker’s “Anora” and Jafar Panahi’s “It Was Just an Accident.”


Photo/Video: ‘Fjord’ Trailer

Photo/Video: ‘Fjord’ Trailer

An official trailer from “Fjord” has been released. Click below to view and view screen captures in the gallery.



Photo/Video: ‘Fjord’ Teaser Trailer

Photo/Video: ‘Fjord’ Teaser Trailer

An official teaser trailer from “Fjord” has been released. Click below to view and view screen captures in the gallery.



News/Photos: Asri Jasman Behind the Scenes Photography w/ Sebastian Stan for Esquire

News/Photos: Asri Jasman Behind the Scenes Photography w/ Sebastian Stan for Esquire

Asri Jasman has posted behind the scenes photographs and clips to the post below on his instagram featuring Sebastian’s Esquire features. I’ve added UHQ photos to the gallery and his post (which includes the videos) below, enjoy. The photos are unedited and are presented as displayed on his instagram but are UHQ


News/Photos: Sebastian Stan Fills In The Blanks (Esquire Magazine)

News/Photos: Sebastian Stan Fills In The Blanks (Esquire Magazine)

Esquire

Note: For the accompanying photoshoot click here Session #172 – Chuck Reyes [Untagged/UHQ]

It’s 12:15am on a Friday. The room is cool and dimly lit, and I’m lounging on a beanbag, wrapped in a maroon hoodie with a computer on my lap. On my screen, my interviewee wears a black hoodie and a white baseball cap.

There aren’t many descriptors that can help visualise the spatial portrait of what goes on inside a virtual interview—especially so when you’re interviewing Sebastian Stan. He fills the display. As he leans forward over his desk, a yellow lamp catches the stray tousles of brown hair curling from beneath his cap. I opened with a question: how does he deal with the discomfort that comes from playing the characters that he does?

“I think discomfort is something we all have to deal with at various levels, but when it’s connected to work and art or being creative, it’s the kind of discomfort that I’m seeking,” he says.

Stan has built a reputation in the industry for being somewhat of a chameleon. Able to slip inside the skin of a controversial sex symbol with a soul patch in one moment, then trade that for another with an orange complexion belonging to an uncurbed president.

In one of his more recent projects, his character undergoes a radical medical procedure to reconstruct his face in Aaron Schimberg’s A Different Man, a performance that earned him a Best Actor in a Motion Picture—Musical or Comedy award at the Golden Globes. This change in physicality borders on the edge of metamorphosis, and naturally demanded a certain degree of emotional energy and vexation to fit into these characters.

For a man whose career may be known to many for playing a Marvel superhero, the road he’s taken since is quite unconventional. He has since leaned into independent cinema, television, and even playing characters that are deliberately hard to love.

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