You can now find 400+ high quality screen captures of Sebastian as Nick from the film ‘The 355’ in the gallery along with Bluray featurette screen captures.
Sebastian filmed ‘The Magic of Passion’, a while ago (and apparently they’re waiting on music to clear before releasing the film). Feel free to check out the trailer from the director below. I’ve added screencaps of the trailer to the gallery.
Deadline –Sebastian Stan On Becoming ‘Pam & Tommy’, Playing A Rocker And Wearing That Talking Prosthetic – The Actor’s Side.
Sebastian Stan certainly picks interesting and challenging projects these days. He joins me for this week’s edition of my Deadline video series The Actor’s Side where we discuss his decision to play Mötley Crüe drummer Tommy Lee as he falls hard for Baywatch star Pamela Anderson and gets immersed in a marriage and sex-tape scandal that dominated the mid-1990s tabloid headlines.
As Stan tells me this isn’t the first time he has taken on the troubled life and times of a real person — he also talks about playing Jeff Gillooly who engineered the infamous Tonya Harding ice-skating scandal in the acclaimed film I, Tonya — but admits this one really brought out his insecurities. He said every week leading up to shooting gave him nightmares, but once they were fully into the transformation (and thanks especially to a game hair and makeup team) it became more comfortable.
Of course it is never that comfortable when you have to wear a talking prosthetic penis, get tattooed like there is no tomorrow, and be completely convincing as an iconic rocker who plays the drums. Stan pulls it all off though and describes every detail. We also get into his current film, also on Hulu, saying Fresh has its own set of challenges, but one he was eager to take on.
And you can’t talk to Sebastian Stan without getting the latest on the Winter Soldier himself aka Bucky Barnes. Stan has appeared in about nine different projects for Marvel where he plays that character, most recently the Disney+ series The Falcon and the Winter Soldier, and he fills us in on whether he has any plans for more.
To watch our conversation click on the video above, and join me every Wednesday during Emmy season for another edition of The Actor’s Side.
* The full Deadline Actor’s Side interview is now available to view in the link above. Screen Captures have also been added to the gallery.
Variety –Hulu Offers ‘Fresh’ Twist to the Emmy Race, Submits Sebastian Stan Horror Film for TV Movie (EXCLUSIVE)
An exciting and welcomed twist to the Emmy race for outstanding television movie has arrived, as Mimi Cave’s horror-comedy “Fresh,” starring Sebastian Stan and Daisy Edgar-Jones, is being submitted for Primetime Emmy consideration.
This offers an interesting possibility in a category that hasn’t drummed up much excitement over the last couple of years. While buzzy titles like “Bad Education” and three consecutive “Black Mirror” episodes dominated, the soulful purpose of the category has seemed to be missing. Last year’s winner, “Dolly Parton’s Christmas on the Square,” was the only film of the five other nominees to have another Emmy nomination (for outstanding choreography for scripted programming, which it won for Debbie Allen).
Since the separation of the TV movie and limited series categories in 1992 (merged again in 2011 before being separated again in 2014), there’s never been a traditional horror film nominated in the category. So while the category is stacked with contenders such as HBO’s “The Survivor” from Barry Levinson and Netflix’s animated feature “The House” contending for recognition, perhaps “Fresh” could be the first for the genre?
The switcharoo also highlights the banner year for its star Sebastian Stan, who will now have another shot at gold for his work as Steve, the charming and cannibalistic serial killer — another strong outing alongside his turn in the miniseries “Pam and Tommy,” also from Hulu. While the categories for outstanding limited series and outstanding television movie are separated at the Emmys, the actors from both sides compete in the acting categories. However, while his work in “Fresh” is undoubtedly entertaining, the Romanian-born performer has a significantly better shot for his interpretation of Mötley Crüe drummer Tommy Lee.
The 39-year-old’s alluring talents have been a fascinating journey to watch unfold in Hollywood over the last decade. While getting his start as the gambling addict Carter Baizen in the classic series “Gossip Girl,” he’s churned out incredible performances in films such as “I, Tonya” (2017) and “Destroyer” (2018). His most recognizable character has been Bucky Barnes, a.k.a. the Winter Soldier in the Marvel Cinematic Universe, most recently appearing in the Disney+ drama series “The Falcon and the Winter Soldier.”
Though Stan has unfortunately garnered few accolades thus far, aside from a Critics Choice nom for “Political Animals” in 2013, he may finally be within arm’s reach for his first major awards nomination. He also has a role in Emmy winner Benjamin Caron’s (“The Crown”) directorial film debut “Sharper,” opposite Julianne Moore and John Lithgow, due out later this year from A24 and Apple Original Films.
“Fresh” is another potential Emmy vehicle for Stan’s co-star Daisy Edgar-Jones, best known for her stunning work in the miniseries “Normal People” and now co-starring opposite another MCU superhero actor, Andrew Garfield, in FX’s crime-thriller “Under the Banner of Heaven.” In addition, Edgar-Jones has an upcoming role in Olivia Newman’s adaptation of “Where the Crawdads Sing” from Sony Pictures, produced by Reese Witherspoon and Lauren Neustadter.
Written by Lauryn Kahn, “Fresh” was acquired by Searchlight Pictures ahead of its world premiere at the Sundance Film Festival in January. In March, the film released on Hulu and received positive marks from critics and audiences.
Adam McKay and Kevin J. Messick produced the thriller. McKay is a two-time Emmy-winner for outstanding variety special live (2019 for “Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons’”) and outstanding drama series (HBO’s “Succession” in 2020). Off his recent Oscar nomination for Netflix’s “Don’t Look Up,” this marks one of four possible noms McKay can receive this year — HBO’s “Succession” (drama series), “Winning Time: The Rise of the Lakers Dynasty,” (drama series and directing the episode “The Swan”) and “The Invisible Pilot” (documentary series).
The current Emmy predictions for outstanding television movie are below. The full rankings can be found on Variety Awards Circuit prediction pages and are updated every Thursday.
Sebastian Stan still remembers the piece of acting school advice that fueled him through his early career all the way up to where he is today. “Bring the day with you to work, or to the audition, or to the meeting,” he says in this episode of “In the Envelope.” “You’re on the subway, you’re running late, you’re trying to get to the audition, and then someone bumps into you and you spill coffee, and you’re pissed off…you might as well just own it. Then you’re starting from an honest place.”
One of the most versatile performers working today, Stan has made a career out of balancing blockbusters in the Marvel Cinematic Universe with ferocious smaller-scale character work. The actor followed up an appearance in the biggest box office success in history, “Avengers: Endgame,” with an admirable streak of electric—and occasionally stomach-churning—roles in dark dramas and thrillers like the cannibal potboiler “Fresh” and Hulu’s pitch-black true-story comedy “Pam & Tommy.”
You can check out the interview wherever you listen to your favorite podcasts (Spotify, Apple, iHeartRadio etc) — or simply hit the play button below via Spotify!
I’ve added more stills of Sebastian as Steve from the Hulu film ‘Fresh’ into the gallery. I’ve also added screencaps of the four featurettes of the film that were released by Hulu
Flaunt — Daisy Edgar-Jones and Sebastian Stan | Because Nothing Tastes as Good as a Great Date on the Town.
Ever had a bad dinner date? It’s not the law of attraction—rather the law of averages—that ensures anyone putting themselves out there on the love-seeking scene today will encounter their fair share of whackjobs, weirdos, and ghosts. But no dating disaster you’ve been through could be worse than what befalls the characters in gripping new Rom-Com/ Horror film, Fresh (Hulu). Starring young British actor Daisy Edgar-Jones (Normal People) and seasoned leading man Sebastian Stan (Captain America: The Winter Soldier, I, Tonya, The Martian), Fresh begins by exploring the dynamics of the contemporary dating world… before crossing the boundaries of… taste…
Stan plays Steve, a handsome, single doctor who accidentally (but we realize later, of course, on purpose) strikes up a conversation with Daisy Edgar-Jones’ Noa in the produce aisle. It’s all so natural. They exchange numbers. He texts her. They go on a date. It’s a good date. Since they met IRL and not through an impersonal app interface, they skip a few steps and quickly get intimate. Noa’s best friend, Mollie, (played with verve by Jojo T. Gibbs) finds Steve’s lack of digital presence disturbing, but enjoying the love-buzz, Noa throws herself into her exciting new romance.
But Noa’s soon to find out—the very hard way—that behind this charming facade, ‘Steve’—a pseudonym—is really quite something else. Instead of the sophisticated getaway he promises her, she’s face to face with primal fears, and her sweet, sensitive lover is revealed to be a mix of Ted Bundy, Jeffrey Dahmer, and American Psycho, prone to Patrick Bateman-style musical interludes as he … well, that would be giving it all away. Suffice to say, in classic horror movie style, trapped in a mysterious house in the woods, Noa has to find a way to get out… And Fresh—directed by Mimi Cave, written by Lauryn Kahn, and produced by Adam McKay (Don’t Look Up, The Big Short, Vice)—is the clever, knowing, and full of suspense result.
Flaunt caught up with Daisy and Sebastian in London about Fresh, cuisine, and how they found a friendship in the midst of horror.
So how is London treating you?
SS: I think it’s been good, it’s only been 24 hours now since we’ve been here. But it’s been good—the rain is here, of course. A nice, cloudy, rainy day.
DEJ: I love it when it’s rainy in London— it’s my favorite! It’s so, you know, romantic and lovely when it rains.
Daisy, you are of course a born and bred London girl. It must be nice to be home. But you’ve lived in London before, haven’t you, Sebastian?
SS: Yeah! I was in London In 2003, when I did a year at the Globe Theatre; my college, Rutgers University, had a program at the Globe, so that was the first time I was here. In 2010, I basically lived here for a year do- ing Captain America: The First Avenger, and then I was in and out of London. And then in 2019, then the pandemic, and I lived here for another six months doing another project. So, I really do like it here.
Oh, so you’re basically a local with all of that experience.
DEJ: Practically a Londoner. He still hasn’t had a Sunday roast, though. That, to me, is shocking.
In all those years?
SS: I didn’t even know what that was—because usually Sundays, I keep to myself.
SS: And I was always in the hotel room crying.
Well, hopefully, you’ll have more than 24 hours on this trip, and it will include a Sunday. And a roast… So, sticking with the food theme, the subject at hand is your fantastic new film, Fresh, which I keep reading as “Flesh.” Is that just me?
DEJ: No, it’s not just you, actually, we’ve had a couple of people go, ‘I’m really excited to see Flesh!’ Well, you will see flesh in Fresh… perhaps not in the best way.
So, to Fresh. I watched it yesterday, and to be honest, I’m still kind of a bit traumatized. What was it like to work together on what is, let’s say, a very strange, post-modern ‘romance’?
SS: I guess it was bittersweet in some ways, right, because we had such a good time shooting it. We weirdly shot it chronologically, in the sense that we started it from the beginning of the story, and then… We were having so much fun kind of doing the scenes and finding the banter and the spontaneity of it, that we were always dreading the second half of the film coming at us. But we managed to keep going. Continue reading
lofficielusa.com — The Fresh actor shares his thoughts on playing a cannibal, doing a comedy, and working opposite strong female leads.
You’ve seen him as the charming rogue in Gossip Girl, the face behind Marvel’s Bucky Barnes, and in the tattooed skin of Mötley Crüe drummer Tommy Lee, but Sebastian Stan’s latest role is Steve, the handsome “psychopath” looking for love in Hulu’s new film Fresh. Thinking back on his filmography, Stan says he “wouldn’t want to be any of the characters” he’s played (his past roles include Tonya Harding’s ex-husband/convicted criminal Jeff Gillooly, a CIA agent-turned-mole, and a dirty cop, to name a few), but the Pam & Tommy star would like to brighten things up and do a comedy in the future—specifically name-dropping Judd Apatow as a wish-list director. Stan has also always enjoyed rom-coms, specifically Hugh Grant’s work in Notting Hill and Four Weddings and a Funeral. While talking about his favorite movies, L’OFFICIEL Hommes’s Spring 2022 cover star walks us through the highlights of his career and where he’d like to see it go next.
lofficielusa.com — Sebastian Stan Opens Up About ‘Pam & Tommy,’ ‘Fresh,’ and ’90s Rom-Coms. In conversation with his former costar Margot Robbie, Sebastian Stan shines a light on how he gets into character both physically and mentally, from roles like rock legend Tommy Lee to a charming psychopath in Fresh.
Sebastian Stan has lived many lives. From his breakout role as disgraced prep-school bad-boy Carter Baizen on Gossip Girl to Marvel’s Bucky Barnes, Stan has largely managed to fly under the radar. That is, until now. Starring as Mötley Cru?e drummer Tommy Lee in the hit Hulu series Pam and Tommy has planted Stan squarely in the spotlight. The miniseries, which also stars Lily James as Pamela Anderson, follows the untold story of the infamous sex tape seen ‘round the world, which was stolen and leaked during the wild early days of the Internet.
His latest role sees Stan explore the horrors of modern dating in Hulu release Fresh, where he stars alongside Daisy Edgar-Jones as Steve, a seemingly nice guy who is not at all what he seems. “The movie explores the idea of this hero complex, which fucks up all our relationships with each other; the idea that there’s a knight in shining armor that’s gonna come and save the day,” Stan says. “I’ve certainly fallen into the trap of wanting to be that strong guy who isn’t going to be vulnerable.”
Exclusively for L’OFFICIEL, Stan speaks with friend and former costar Margot Robbie about transforming himself for a role, on-set chemistry, and his favorite rom-coms.
— Sabrina Abbas
MARGOT ROBBIE: I’m gonna start way back at the beginning, when you were conceived—no, I’m joking, not that far. We physically met during the chemistry read for I, Tonya, but I had seen your tape before. I don’t know if I’ve told you this, but I didn’t recognize you at all. I think you were wearing a turtleneck and you may have even grown the ‘stache. I remember being like, “Wow, this actor is so good, who is this guy? He’s going to be such a find.” And then I looked you up and I was like, “Holy shit, it’s the hot guy from Gossip Girl and those Marvel movies!” Since then, I feel like you just keep transforming. I wanted to ask you about the more physical transformation, particularly when it comes to Pam and Tommy and Fresh. Is that something you find helpful?
SEBASTIAN STAN: I feel like the physical stuff always helps us, right? Because I’m such a self-conscious person with regard to my “Sebastianisms.” Having to morph into something that’s not really you is scary, but it stops me from judging myself.
MR: Do you wanna know a Sebastianism that I’ve noticed? You cover half your face with your hand when you laugh. I love it.
SS: [Laughs.] Yeah, I do do that. That’s also my favorite emoji, by the way.
MR: But I totally get what you’re saying. I feel like the less I look like myself and the less I sound like myself, the more separate I am from the character. That being said, what drives you to make the choices that you make? Even if I hadn’t worked with you, and I didn’t know you, I know I would be a fan of yours because of the risky characters you play and the projects you sign onto with so many first or second-time directors.
SS: This line of work takes a lot out of you, so I think it’s about finding something that you can really sink your teeth into so that you can justify the sacrifices you make. It’s funny, but a lot of the answers to these questions go back to I, Tonya. That experience honestly raised the bar for me. Between you and [the director] Craig Gillespie and the great script and amazing team—it was the first experience I had where I witnessed filmmaking as a machine. Working with you was a lightning bolt moment for me, because I realized I was at my best opposite strong women. I’ve gotten to work with Jessica Chastain and Julianne Moore and Lily James, and I feel like that’s my lane.
MR: It sounds like just a nice thing to say, but I’m only as good as the actors that I work with. When we did the I, Tonya chemistry reads, I tried not to get my hopes up about anyone in particular, but with you, one minute in and I was like, This is it! Did you get to do chemistry reads for Pam and Tommy or for Fresh? Or did you just get lucky and happen to have great chemistry with both costars?
SS: I didn’t. The script in Fresh had these ridiculous dance sequences, so I sent [the director] Mimi Cave this video of me in the kitchen—I took this huge steak knife and just started dancing to ‘80s music. So she saw that, and I guess that did it. Daisy Edgar-Jones had signed on to the project, and I knew, having seen her work, that she would be somebody that would anchor this thing and lead it in the right direction. I had never met Lily James before Pam and Tommy, not until Craig had Lily and me over to his house and he was like, “What’s up guys? Should we rehearse?”
MR: Fresh is so good. I’m actually a little bit glad that we’re doing this over Zoom because I’d be genuinely terrified to be in a room with you right now. I completely lost my head watching it, to be honest; it’s so brilliant and so fucked up.
SS: We were really lucky because everyone was very open to what Daisy and I wanted to do; we didn’t want to fall into anything gimmicky. It starts out like a romantic comedy, and you’re supposed to see that there’s a potential between the main characters, but the truth is this guy is sort of obsessed with her. That scene to me, where Daisy’s character wakes up strapped to his bed and is realizing what’s going on, everything shifts. You see her go from, Wait a minute, is this really happening? To, Oh, my God, it is happening. She grounds the movie from then on. We’ve been raised with this narrative that you’re going to meet someone who will instantly open up and understand you, and then you’ll be together for the rest of your lives. The movie’s a little bit of a commentary on that—how you fall for somebody because you’re starved for real connection, but is that person really who they say they are? Maybe we need to step back for a second and go, okay, I feel an intense thing here but let me just suss it out before—
Sebastian was interviewed by Joshua Horowitz for ‘Happy, Sad, Confused’ to talk about the MCU along with ‘Fresh’, check out the clip below. You can check out the interview wherever you listen to your favorite podcasts (Spotify, Apple, iHeartRadio etc) or you can subscribe on Patreon to view the video version. I’ve added screencaps of the interview to the gallery.