I’ve added 1 new high quality still of Sebastian as Jeff from the film ‘I, Tonya’, as well as 1 new high quality still of Sebastian as Chase from the film ‘The Covenant’. I’ve also added 24 new stills of Sebastian as Carter Baizen from ‘Gossip Girl’ in the gallery varying in high quality and medium quality .
Category: I Tonya
The newest episode of Podcrushed was released today with the guest being none other than Sebastian!
Episode Summary: We’re back from hiatus! Sebastian Stan (Pam & Tommy, Fresh, I Tonya, the Marvel franchise, etc.) joins us to talk about moving to America in eighth grade, losing himself in his roles, and memories of Penn from their time together on the set of Gossip Girl.
You can check out the interview wherever you listen to your favorite podcasts (Spotify, Apple, iHeartRadio etc) — or simply hit the play button on the player below via Spotify!
I’ve added over 500+ high quality Blu-Ray Extra Screen Captures of Sebastian in I, Tonya to the gallery.
Deadline –Sebastian Stan On Becoming ‘Pam & Tommy’, Playing A Rocker And Wearing That Talking Prosthetic – The Actor’s Side.
Sebastian Stan certainly picks interesting and challenging projects these days. He joins me for this week’s edition of my Deadline video series The Actor’s Side where we discuss his decision to play Mötley Crüe drummer Tommy Lee as he falls hard for Baywatch star Pamela Anderson and gets immersed in a marriage and sex-tape scandal that dominated the mid-1990s tabloid headlines.
As Stan tells me this isn’t the first time he has taken on the troubled life and times of a real person — he also talks about playing Jeff Gillooly who engineered the infamous Tonya Harding ice-skating scandal in the acclaimed film I, Tonya — but admits this one really brought out his insecurities. He said every week leading up to shooting gave him nightmares, but once they were fully into the transformation (and thanks especially to a game hair and makeup team) it became more comfortable.
Of course it is never that comfortable when you have to wear a talking prosthetic penis, get tattooed like there is no tomorrow, and be completely convincing as an iconic rocker who plays the drums. Stan pulls it all off though and describes every detail. We also get into his current film, also on Hulu, saying Fresh has its own set of challenges, but one he was eager to take on.
And you can’t talk to Sebastian Stan without getting the latest on the Winter Soldier himself aka Bucky Barnes. Stan has appeared in about nine different projects for Marvel where he plays that character, most recently the Disney+ series The Falcon and the Winter Soldier, and he fills us in on whether he has any plans for more.
To watch our conversation click on the video above, and join me every Wednesday during Emmy season for another edition of The Actor’s Side.
* The full Deadline Actor’s Side interview is now available to view in the link above. Screen Captures have also been added to the gallery.
lofficielusa.com — Sebastian Stan Opens Up About ‘Pam & Tommy,’ ‘Fresh,’ and ’90s Rom-Coms. In conversation with his former costar Margot Robbie, Sebastian Stan shines a light on how he gets into character both physically and mentally, from roles like rock legend Tommy Lee to a charming psychopath in Fresh.
Sebastian Stan has lived many lives. From his breakout role as disgraced prep-school bad-boy Carter Baizen on Gossip Girl to Marvel’s Bucky Barnes, Stan has largely managed to fly under the radar. That is, until now. Starring as Mötley Cru?e drummer Tommy Lee in the hit Hulu series Pam and Tommy has planted Stan squarely in the spotlight. The miniseries, which also stars Lily James as Pamela Anderson, follows the untold story of the infamous sex tape seen ‘round the world, which was stolen and leaked during the wild early days of the Internet.
His latest role sees Stan explore the horrors of modern dating in Hulu release Fresh, where he stars alongside Daisy Edgar-Jones as Steve, a seemingly nice guy who is not at all what he seems. “The movie explores the idea of this hero complex, which fucks up all our relationships with each other; the idea that there’s a knight in shining armor that’s gonna come and save the day,” Stan says. “I’ve certainly fallen into the trap of wanting to be that strong guy who isn’t going to be vulnerable.”
Exclusively for L’OFFICIEL, Stan speaks with friend and former costar Margot Robbie about transforming himself for a role, on-set chemistry, and his favorite rom-coms.
— Sabrina Abbas
MARGOT ROBBIE: I’m gonna start way back at the beginning, when you were conceived—no, I’m joking, not that far. We physically met during the chemistry read for I, Tonya, but I had seen your tape before. I don’t know if I’ve told you this, but I didn’t recognize you at all. I think you were wearing a turtleneck and you may have even grown the ‘stache. I remember being like, “Wow, this actor is so good, who is this guy? He’s going to be such a find.” And then I looked you up and I was like, “Holy shit, it’s the hot guy from Gossip Girl and those Marvel movies!” Since then, I feel like you just keep transforming. I wanted to ask you about the more physical transformation, particularly when it comes to Pam and Tommy and Fresh. Is that something you find helpful?
SEBASTIAN STAN: I feel like the physical stuff always helps us, right? Because I’m such a self-conscious person with regard to my “Sebastianisms.” Having to morph into something that’s not really you is scary, but it stops me from judging myself.
MR: Do you wanna know a Sebastianism that I’ve noticed? You cover half your face with your hand when you laugh. I love it.
SS: [Laughs.] Yeah, I do do that. That’s also my favorite emoji, by the way.
MR: But I totally get what you’re saying. I feel like the less I look like myself and the less I sound like myself, the more separate I am from the character. That being said, what drives you to make the choices that you make? Even if I hadn’t worked with you, and I didn’t know you, I know I would be a fan of yours because of the risky characters you play and the projects you sign onto with so many first or second-time directors.
SS: This line of work takes a lot out of you, so I think it’s about finding something that you can really sink your teeth into so that you can justify the sacrifices you make. It’s funny, but a lot of the answers to these questions go back to I, Tonya. That experience honestly raised the bar for me. Between you and [the director] Craig Gillespie and the great script and amazing team—it was the first experience I had where I witnessed filmmaking as a machine. Working with you was a lightning bolt moment for me, because I realized I was at my best opposite strong women. I’ve gotten to work with Jessica Chastain and Julianne Moore and Lily James, and I feel like that’s my lane.
MR: It sounds like just a nice thing to say, but I’m only as good as the actors that I work with. When we did the I, Tonya chemistry reads, I tried not to get my hopes up about anyone in particular, but with you, one minute in and I was like, This is it! Did you get to do chemistry reads for Pam and Tommy or for Fresh? Or did you just get lucky and happen to have great chemistry with both costars?
SS: I didn’t. The script in Fresh had these ridiculous dance sequences, so I sent [the director] Mimi Cave this video of me in the kitchen—I took this huge steak knife and just started dancing to ‘80s music. So she saw that, and I guess that did it. Daisy Edgar-Jones had signed on to the project, and I knew, having seen her work, that she would be somebody that would anchor this thing and lead it in the right direction. I had never met Lily James before Pam and Tommy, not until Craig had Lily and me over to his house and he was like, “What’s up guys? Should we rehearse?”
MR: Fresh is so good. I’m actually a little bit glad that we’re doing this over Zoom because I’d be genuinely terrified to be in a room with you right now. I completely lost my head watching it, to be honest; it’s so brilliant and so fucked up.
SS: We were really lucky because everyone was very open to what Daisy and I wanted to do; we didn’t want to fall into anything gimmicky. It starts out like a romantic comedy, and you’re supposed to see that there’s a potential between the main characters, but the truth is this guy is sort of obsessed with her. That scene to me, where Daisy’s character wakes up strapped to his bed and is realizing what’s going on, everything shifts. You see her go from, Wait a minute, is this really happening? To, Oh, my God, it is happening. She grounds the movie from then on. We’ve been raised with this narrative that you’re going to meet someone who will instantly open up and understand you, and then you’ll be together for the rest of your lives. The movie’s a little bit of a commentary on that—how you fall for somebody because you’re starved for real connection, but is that person really who they say they are? Maybe we need to step back for a second and go, okay, I feel an intense thing here but let me just suss it out before—
Sirius XM – Sebastian Stan discusses ‘I, Tonya’, ‘Avengers’ , Auditioning for Bucky & Captain America, and Plays on Sirius XM’s Jim And Sam Show. Click below to listen. This interview is from September 10, 2018 I was able to pull it and didn’t know if it’s been heard around fandom or not so please enjoy!
IndieWire.com — Nearly a decade into his turn as Marvel’s Bucky Barnes — otherwise known as The Winter Soldier — actor Sebastian Stan is busier than ever, but not with the kind of safe commercial bets that other franchise players might be pursuing. A year after taking on the risky role of former criminal and national laughingstock Jeff Gillooly in Craig Gillespie’s Oscar-winning “I, Tonya,” Stan is still chasing unconventional supporting roles in smaller features.
In Karyn Kusama’s “Destroyer,” he acts opposite Nicole Kidman as an undercover police officer helping Kidman’s no-nonsense detective through a dangerous mission that destroys her life. It’s a tricky r ole for any actor to hold their own opposite a proven movie star in dark, moody thriller, but Stan said that “I, Tonya” opened him up to embrace that sort of challenge.
“It was definitely a transformative year for me, in terms of what I want,” Stan said in an interview, and he credited “I, Tonya” with shifting his priorities. “It kind of set the bar for me in what I wanted going forward.”
The rest of his current schedule speaks to the actor’s interest in peering beyond the commercial realm: He starred in Stacie Passon’s Shirley Jackson adaptation “We Have Always Lived in the Castle,” which debuted at LAFF earlier this year, and he recently wrapped roles in Todd Robinson’s true-life war drama “The Last Full Measure” and Argyris Papadimitropoulos’ romantic drama “Monday.”
After years of working in franchise mode, “I, Tonya” opened the actor up to exploring these opportunities. “It led me to want to look for that again, to find more things that scare me, and that are challenging,” he said. “I came out of that movie feeling like, ‘I don’t know how I’m gonna find the situation again.’ I was really wanting to find that again, and lo and behold, I actually did.”
However, “Destroyer” nearly slipped beyond his grasp. Stan originally met with Kusama to discuss the role of cult leader Silas, played in the film by Toby Kebbell, though he had some initial reservations about taking on another dark role. “I was actually concerned, after ‘I, Tonya,’ because I was like, ‘God, this is gonna be another really dark, dark role, I don’t know if I can sort just get into that again,’” he said.
He wanted to work with Kusama and Kidman, but walked away from the meeting wondering if the role was a fit, and even made his own audition tape as the character to further feel it out.
“I put a scene on my iPhone, and I sent it to her,” he said. “I said, ‘Hey, look, I just got inspired, and I want you to check this out, and you let me know what you think, obviously, you know, whatever you feel is best.’” Weeks went by without an update and Stan figured he didn’t make the cut. In October 2017, Kusama finally called. “She said, ‘You know, I loved your tape, but actually I feel like you’d be better in this role, the other role,’” he said.
As a choosy performer who takes his time pursuing various roles, Stan admits he wasn’t immediately comfortable with Marvel superstardom.
“I don’t think it came naturally to me,” Stan said of his ease with his fans and fame. “Even if you look back a few years ago, I remember doing interviews and just being so scared and just trying to take it all in. I feel like I’ve learned a way to sort of embrace it.” He added with a laugh, “You can see it, if you go on YouTube.” (Admittedly, in some of Stan’s earliest video interviews for “Captain America: First Avenger,” he looks ready to jump out of his skin.)
These days, he appears more comfortable with the role. His Instagram account is filled with pictures and videos of him interacting with fans, and happily so. He’s a vocal supporter of the charity Our Big Day Out, which aims to provide shelter and a better way of life for children in Stan’s home country Romania. It’s raised thousands of dollars over the years, with big pushes often spearheaded by the actor’s fans in honor of the star.
He’s understandably tight-lipped about what to expect from future Marvel movies (he’s credited on the upcoming “Avengers: Endgame,” but isn’t entirely sure what stuff he filmed will be in the final cut). But he’s quick to talk about his latest projects, including an untitled romance directed by Drake Doremus, which allowed him to stretch his improv muscles. As for other genres he’d like to explore, he’s interested in doing a period piece like “Game of Thrones,” something that would let him play around with “a great accent.”
And he’s not saying no to more big films, though it’s the smaller ones that seem most top of mind.
“Look, I would never necessarily say no to a lead in a franchise,” he said. “I love all movies, so I’m game. … I think I’ve been so lucky to have this Marvel universe to go back to. I’ve learned a tremendous amount in 10 years. They’ve given me so many opportunities, and one of the opportunities that they’ve given me is a chance to go out there and find something that’s gonna stretch me in some way, and challenge me in a way that’s gonna be different. … I mean, how much better than that can it get?”
I’ve added 977 high quality screen captures of Sebastian as Jeff Gillooly in the biographical drama about Tonya Harding titled I, Tonya which came out in theaters last year.
Sebastian was so good in this film. Him and Margot really worked well off one another.
Hey guys! I’ve updated the gallery with additional production stills, promotional artwork, and behind the scenes photos of Sebastian from the following films: ‘I, Tonya’, ‘I’m Not Here’, ‘The Last Full Measure’, ‘We Have Always Lived in The Castle’ & ‘Avengers: Infinity War’ – which you can see check out below:
CONGRATULATIONS ON THE FILM! CAN YOU TELL US HOW YOU BECAME INVOLVED WITH IT? WHAT DREW YOU TO YOUR CHARACTER IN PARTICULAR?
I had a Skype call with Craig (Gillespie) around the same time I saw Price of Gold, the “30 for 30” documentary on Tonya Harding. After reading the script, I was blown away by the possibilities of this film: its honesty and humor, and how tragic these real life characters were – it felt like an important story to tell. From the perspective of an actor, Jeff (Gillooly) was such a complex character, and I was curious to learn the truth behind the man, and what really happened. I’m still not sure I have figured it out exactly, but it was worth the challenge.
YOU MET JEFF AND TONYA IN REAL LIFE – WHAT WAS THAT EXPERIENCE LIKE?
It was really important for me to meet them, and Jeff in particular because it was difficult to find out anything about him besides the scandal surrounding the “incident”. It was also important to me from a technical perspective to be informed about how he moved and how he spoke. I got the sense through our meeting that he had had a difficult upbringing, and that as chaotic as his relationship became with Tonya, there was love between them at some point. That was my way in – my way of finding some humanity in him. I tried to approach the character with the idea that people can start out with good intentions, but don’t, or can’t always follow through.
It was difficult from the beginning because I couldn’t help but judge him, but I set to the task of trying to find some humanity behind what was on the page. I wanted to go back to the beginning and explore how Jeff and Tonya began, and to understand who he was and what led to what. Meeting him in person helped, because it allowed me to connect young Jeff with present-day Jeff, and I was able to start piecing a life together for him. Margot and I worked carefully with Craig to try and find the love underneath all of that pain and toxicity. We wanted to understand, and to show why Tonya kept going back.
I loved working with Margot. She is extremely generous as an actress and charismatic as a producer. She loves the filmmaking process and I was in perpetual awe at how determined she was to tell this story the right way. She was my anchor in this and I couldn’t have done it without her.
I am supportive of the movement. It is incredibly brave and heroic of all the women who have spoken out, and I want to hold space for that, and to honor that. I’m saddened as a man and a human being by everything that I have read and learned, but I am hopeful that through it, we can expand our awareness and learn how to communicate better with one another to embrace and propel a change that is long overdue. Hopefully, we can inspire future generations of men and women through the self-reflection we are all now experiencing. As an actor, I feel it is my duty to hold a mirror up to nature as best as I can, and to support stories that have been, and still need to be told.
WHAT DID YOU MEAN BY YOUR STATEMENT: “NOW IS THE TIME MORE THAN EVER FOR US TO REVIEW WHAT MASCULINITY IS ABOUT. VIOLENCE HAS ALWAYS BEEN UNFORTUNATELY EMBEDDED IN MASCULINITY, THIS ALPHA THING. IT’S MORE COMPLICATED THAN THAT.”
I think for a long time, the idea of an “alpha male” was romanticized or defined in a certain way – often including violence – and it’s time for that to be re-examined. What is a man in 2018? What’s exciting about this time is that we all have an opportunity to listen, and to see where changes need to be made in the examples we want to put forward for younger people. I think it’s all about having the conversation. To me personally, masculinity is about offering protection, offering safety, holding space, communication, being vulnerable, never making the other feel wrong for how they feel, and now more importantly than ever, it is about listening and learning how to be of service.Source: sbjctjournal.com