Category: Press


Press/Interviews: Sebastian Stan on ‘Endings, Beginnings,’ Returning to Marvel and Why He Never Wore a Belt on ‘Gossip Girl’

Variety — Every night at 7 p.m., Sebastian Stan peers outside the window of his Manhattan apartment and cheers. It’s become a nightly ritual for most New Yorkers to honor doctors, nurses and other essential workers who are on the frontlines of the coronavirus crisis.

“It was crazy the other day,” Stan tells Variety. “There was a woman on the street; it broke my heart almost. She started playing ‘New York, New York’ by Frank Sinatra, just blasting it out loud. And everybody was just like, ‘We ain’t going down, baby. No matter what.’”

Stan knows, better than most, what it means to be a New Yorker. Early in his career, the now 37-year-old actor had a reoccurring part on ‘Gossip Girl,’ which shot throughout Manhattan and Brooklyn and has cameos from notable restaurants and clubs. But Stan’s career really took off after he played Steve Rogers’ best friend Bucky Barnes in ‘Captain America.‘ The notoriety from the Marvel Cinematic Universal has afforded him chances to take risks on independent films ranging from ‘Destroyer’ to ‘I, Tonya.’

Stan’s latest movie, ‘Endings, Beginnings,’ is now available to watch in homes after premiering at last fall’s Toronto Film Festival. In the drama, directed by Drake Doremus, Stan plays Frank, who meets a woman at a party (Shailene Woodley) that both he and his best friend (Jamie Dornan) start to romantically pursue.

Over an Instagram live conversation with Variety, Stan spoke about making ‘Endings, Beginnings,’ through improvisation, when he might return to the Marvel Universe and why he never wore a belt on ‘Gossip Girl.’

Can you talk about working with Drake Doremus. There’s no script when you sign on for one of his films, right?

Right. There’s only an outline, which is about 70 pages and it’s sort of like a general, loose direction of where he wants the story to go. Everything is discovered in the moment on the day. A lot of what you’re going to see in the movie is improvised. One of the things he’s such a master at is being able to take all these moments and piece it together into a performance. I have no idea how he edited it all together.

You and Jamie Dornan play—

Star-crossed friends!

… who are both vying for Shailene Woodley.

Yes, we are good friends in the movie and our friendship is tested when we meet Shailene. It’s a very honest movie about how confusing relationships are sometimes and really how messy they are in terms of a beginning, middle and end. Things don’t just always close. One thing I’ve love about Drake’s movies, especially ‘Like Crazy’ and ‘Newness,’ is the vulnerability and intimacy that he seems to capture, the authenticity of the connections between people.

Jamie told me he wanted to play the nicer guy, and that you picked the bad guy, because that’s more fun.

I would have played either role. Drake put me in that role. I was just happy to be part of the movie, it didn’t matter what he was going to choose. I think the way it was cast was the right way.

How do you prepare for a scene knowing you’re going to improvise most of your dialogue?

It’s definitely scary because you’re like, “How interesting of a person am I?” When you [normally] have a scene, you have lines, you have protection. But we had a direction. A lot of it comes from the dynamic you build in rehearsal. And being open with each other. Shailene, acting opposite her, it was total vulnerability, total honesty. It’s a lot easier when someone opposite you is giving their all.

Were their moments that you improvised that made you cringe?

Every scene made me very upset. Every scene made me question why I’m doing this. And why my relationships haven’t really worked. No! It’s a very exposing process. There are takes that we probably shot for 20 minutes straight without cutting and we would go all over the place. You go home and wonder if any of it is good. But it’s kind of nice because it gets you out of your head; it gets you out of your comfort zone. You just show up tomorrow and all you’re trying to do is be as present as possible and available to any accidents that might happen.

How do you feel about people watching ‘Endings, Beginnings’ in their homes?

If we could, I wish we would have had different circumstances for the movie. I think it’s so beautifully shot — every frame, every single angle. I’m also grateful it can be watched now. This is a crazy time. It’s a testing time. If people are at home and they want to tune into something else for two hours that makes them think about something else, then why not?

How have you been passing the time in self-isolation?

Talking to myself. By the way I’m in New York. We’re 10 minutes away from 7 p.m., baby. That’s the moment of the day — for people who don’t know — at 7 p.m., people go out to their windows and they start clapping for all the workers and everybody when their shift changes. It hits home, because everybody is on the same page. No matter where you are, no matter what apartment you‘re in, we’re all connected for that moment. There’s something very special about that. It’s about those people who hardly ever get any kind of notice for their work. I don’t know how it is for you. For me, I try to do something productive every day. I’ve got some writing that I’m doing and some reading. I haven’t been home in a long time. It’s been nice to be home and finally hunker down. And then I just think about all the things I’ve taken for granted, and how nice it is that we’re so lucky to be able to do the things that we do in our life. I just hope when we come out of this, we don’t blow through that. That we maybe learn to take each other in a little bit better. The fact that we can be so close and you could touch somebody, you can hug your mother whenever you want and go over there and be close to them.

In New York, it’s hard because we all live in a concentrated space. Even going for a walk, there are too many people outside who aren’t wearing a mask or respecting social distancing.

I think we have that problem everywhere, not just in New York. What sucks about it is all it’s going to do is make everything longer. Yeah, it’s a nice day out — and you’ve got to take care of your mental health, too. If you want to go for a walk, there’s times you can go for a walk, like really early where it’s empty. But this isn’t the time to be going and having a picnic in the f—ing park, which is still happening.

I wanted to ask you about your career trajectory, because you’ve taken some risks in the last few years. You starred in the ‘Avengers’ franchise, but you’ve also done some great work in independent movies, including ‘Destroyer’ and ‘I, Tonya.’ How do you choose what you want to do?

I think it’s all about a character or the directors. I’m just trying to surround myself with people I admire who I like to think are a lot better than me. And by that, by default, I’m going to end up learning. A lot of those choices are based on finding directors who have a very specific vision and honoring that vision. I don’t think movies, even TV, is not really an actors’ medium. It belongs to the writers and the directors. I’m just trying to do things that are interesting to me and kind of make me scared and keep me on my toes, because I’m a very bad self-critic. If I feel like I’m leaning too much into my Sebastian-isms, I get critical about that. I try to mix it up.

How did starring in ‘The Avengers’ franchise change your career?

Well, it was huge. It was 10 years ago, in 2010, when I came in. Looking back, I feel like I had half the amount of experience and knowledge that I do now. In a way, I felt like I grew up with the franchise as a person myself and I feel like that character grew up with me as well. But I don’t think any of these movies that you referenced would have been possible without it. I wouldn’t be here without it.

How did feel to have ‘Avengers: Endgame’ become the most successful movie of all time?

That’s just wild. You don’t even think about that. It’s crazy to think it’s bigger than “Titanic.” I went to see “Titanic” way too many times in the theater. It’s exciting, because 10 years worth of filmmaking went into making [“Avengers: Endgame”]. The fact that people went out to see it and support it so much only shows how much they love the characters, how much they’ve invested in the past 10 years. And they feel like in a way they grew up with the movie.

Is there anything you can tell us with your involvement of the future ‘Avengers‘ movies?

You know, I know nothing about that. I’m just a man. [Laughs.] We got to figure out a couple other missions first before we even get there. I’ve got to deal with this other person. It’s been nice to have a break from him, Anthony Mackie. It’s nice to have a little quiet in this quarantine without him. But we got to figure out some adventures together first before we get there

Our social media editor Meg Zukin wanted me to ask you if you had any insight into what’s happening to your character Carter Baizen on the ‘Gossip Girl’ reboot.

The old Carter Baizen, he’s still out there on the island of Maui or something — who knows. I can’t believe we’re having a reboot. It’s kind of cool. It’s kind of crazy. It kind of reminds me of how old I am. That wasn’t even that long ago.

It doesn’t feel that long ago.

It was 2008. It was like a different world. But it was a great job, like I was so happy being a part of it. I was in New York. I was working with my friends. And also, that show was at that moment. Everybody was talking about it. I remember going into the fittings and being told, “You’re never wearing a belt again from a fashion standpoint.” I was like, “OK.” So I never wore a belt again.

Why weren’t you allowed to wear a belt?

In terms of ‘Gossip Girl’ fashion, I think that set a couple of trends. I don’t know if I remember them entirely. But with men, I remember that. Don’t wear belts. Just watch. There’s not a belt on that show.


Press/Interviews: “It’s Okay to Not Be Okay”: Shailene Woodley and Sebastian Stan Catch Up in Quarantine

Interview Magazine — The first time we connected Shailene Woodley and Sebastian Stan over the phone, the idea was to get through the obligatory quarantine talk before segueing into a discussion of their new film, the romantic drama Endings, Beginnings. Thirty minutes, tops. Instead, the two actors coasted through nearly two hours of effortless chit-chat, with Stan in the role of interviewer, touching on their childhoods, the fine-print business of making movies, and what humanity might look like post-coronavirus. Then, thanks to a perfect storm of human error and technical difficulties, the call didn’t record. But instead of taking the loss, Woodley and Stan agreed to get on the phone a week later to do it all over again. And they did, as if they hadn’t spoken in months.

The pair first met in the Los Angeles apartment of Drake Doremus, who directed Endings, Beginnings, a stormy film about a woman (Woodley) caught between two best friends, played by Stan and Jamie Dornan. Doremus, known for making uncomfortably raw dramas with a technique that relies heavily on improvisation, encourages extreme vulnerability from his actors, which he did on that first day in his apartment. What could have been an awkward day of rehearsals, instead fast-tracked a real friendship. “We both have very similar dispositions and belief systems when it comes to connection,” Woodley told us. “So it wasn’t something that was forced, it was just very natural.” Woodley and Stan could clearly talk for hours, and they did.


SEBASTIAN STAN: How are you, Shailene?

SHAILENE WOODLEY: I can’t tell. Is it okay to sleep as much as I’m sleeping? Some days I feel wonderful and then other days I eat half a pint of ice cream and get confused. I’m really putting into practice the “it’s okay to not be okay” thing.

STAN: I’m with you. Every day I have no idea how I’ll feel when I go to sleep and whether I’ll wake up feeling motivated or feeling weirdly tired and sort of scared.

WOODLEY: On the mornings when you wake up and don’t feel motivated, what do you do?

STAN: I need routine. Every day, I try to do one productive thing, whether it’s reading a book or working on writing.

WOODLEY: You consider reading a book productive?

STAN: I do. As long as I’m not waking up and watching TV for four hours, I think that’s a win. I’m curious about you, because I know how busy you usually are. You’re always running around and doing a lot of different stuff, whether it’s projects or other causes that you support. This is probably what I’d be doing if I wasn’t working and everything was normal, anyway. But it’s weird when you’re not allowed to go outside.

WOODLEY: You feel like a 12-year old and your parents are telling you to do something you don’t want to do.

STAN: When’s the last time you hugged someone? It’s been seven weeks for me.

WOODLEY: It’s probably been about that for me, too. At least six weeks.

STAN: Do you think you’re going to hug people once this is taken care of?

WOODLEY: I’m going to hug people, I’m going to kiss people, I’m going to high five people. There’s no virus that can stop that. But touching clammy hands? There’s no way after this pandemic that I’m going to be down with that shit.

STAN: Do you take dance breaks during the day?

WOODLEY: I take handstand breaks, for sure. And I’m trying to do more dance breaks, because it makes me happy. I have this voice in my head that’s making excuses not do things, which is pretty new for me.

STAN: Are you enjoying being out in nature and is that peaceful for you?

WOODLEY: There’s an immediate recharge that happens. It makes such a difference for my psyche and my spirit.

STAN: I know how passionate you are about the environment. What triggered that?

WOODLEY: I don’t feel like I had a trigger. I just remember feeling like there was so much injustice toward this thing that we labeled a thing that was outside of ourselves, and yet was so inherently a part of us. As a young person, I recognized that the way that we treat one another, with distaste and division and anger and greed, is the same way that we treat our earth. And yet we refer to nature as something that’s outside of ourselves. It really came down to the simple fact that without earth thriving, humans don’t thrive. It’s never been about saving the earth for me, it’s about trying to preserve humanity. I believe the earth will be okay and that she’ll regenerate, and it might not look the same way that it does now, but it will survive whatever circumstances we throw at it. But we won’t.

STAN: Do you think we’ll come out of this thing a little more appreciative of the stuff we take for granted? I get worried that we’re just going to forget everything and go back to the way things were.

WOODLEY: The real test is how we’re using our time. If we’re not working on ourselves and addressing the things that cause us internal suffering, then I don’t think anything will change. It’s that idea of a ripple effect, where you throw a pebble and the ripples go out. If you aren’t first addressing that pebble, nothing around you will shift. I hope that what this pandemic brings is a greater sense of individual adoration and individual love and respect. It’s a hard thing to ask of people, because there’s so much that lies in the unknown. But if we really do take this time to look inward instead of focusing so much on the external, I think we have a fair shot at emerging from this situation with a new narrative.

STAN: That reminds me of the leadership program that your mom started, All It Takes. When you’re talking about this stuff, do you feel like you picked up a lot of it from your mom?

WOODLEY: It’s a compilation of things. I grew up with two psychologist parents and a grandmother who was a naturopath. Empathy was drilled into us as children. And for most of my 20s, I lived all over the world. Whenever I did a movie somewhere, I’d just stay afterwards and get to know that culture. Or if I wasn’t doing a film for a while, I’d move to a foreign country. You learn about that culture, but what you really learn is about where you’re from. It creates a mirror to how you grew up and what your society provides, and the things that are maybe negative. Having those perspectives, I think, really helped shape my own personal view of the world. Also, who wants to see someone suffering?

STAN: But we do it all the fucking time. Human beings are very good at making each other suffer.

WOODLEY: Because people are suffering themselves. I don’t believe anyone’s a bully just to be a bully. They’re being bullied themselves, whether it’s by their own internal voice or an external factor. There’s a difference between being a people-pleaser and wanting everyone to like you. For a lot of my life, I lived from that perspective, of wanting and gaining validation from how others perceive me. By nature, that makes you a kinder person, because you’re trying to win everyone over. That’s not necessarily a healthy habit. Now I live more from the place of, if I’m not exercising love and respect and pride and confidence to myself, there’s no way I’m going to be able to do anything for this planet, whether it’s the Earth or people around me. That’s one of my qualms with activism, and with the left and the progressive side. I’ll probably get in trouble for saying this, but we’re so quick to point fingers, and we’re so quick to deny responsibility and accountability, when in reality, we have to be accountable for every single choice, decision, and step we’ve made in our lives no matter what occurs around us. If we don’t work on ourselves first, nothing will actually change. With the progressive left, there’s a lot of ego involved, saying, “My way is the right way,” and every other way is wrong. And it’s just not true.

STAN: I feel like we’re also suffering from an over-saturation of information. There’s so much information constantly being thrown at you that you can’t keep track of things. You have to be very selective about where you’re getting it from. I think that’s causing anxiety. You said one key word, which is humility. That’s why failure is important. In the city, I hear the sirens every fucking hour and it breaks my heart every time, but as terrible as that is, we have to find a way to learn from this and be humbled by it. Hopefully we won’t take certain things for granted. You were saying earlier you traveled so much when you were a kid, and I traveled a lot, too. Do you think that contributed to you being an actor?

WOODLEY: I didn’t actually travel much as a kid. It was more in my 20s. My desire to be so nomadic came from being a curious bastard. I want to know everything there is to know about the human experience. I want to taste it all and smell it all and see it all. I’ve met so many people who never went to a normal public school, who traveled with their parents their entire childhood, and there’s something about that experience that has always intrigued me, more than the comfort of accumulation. Staying in one place, it’s really easy to accumulate and put material desires as your number-one priority. I wanted to rebut that. I wanted to get rid of everything I owned as a teenager. I wanted to travel with a carryon suitcase. I wanted to search for a level of depth that I couldn’t find in inanimate objects. Some actors watch a lot of movies and gain inspiration from other people’s performances. I didn’t grow up watching films and I have still seen very few. The way I gain inspiration is by witnessing the world around me. It’s by going to new places and seeing how different people use their hands to express themselves, maybe make different sounds with their mouths that we don’t make, or watching someone’s eyes when you’re on a train and you can tell they’ve had a rough morning. Those are all little psychological bits that I store in my head, so that when I’m building characters, I can pull from things that I’ve seen in real life.

STAN: When you decide to work on something, what are three things that are make-or-break?

WOODLEY: It wasn’t always like this, but now it’s very much actors, directors, and writers. Two of those three have to be 10 out of 10. And I’m so blessed to even be able to be in a position where I can say that.

STAN: I know we’re very blessed, but you worked hard. It’s okay to own that.

WOODLEY: If I’m reading a story and I have butterflies in my stomach, I’m in. If I don’t, I’m not. There have been a few times when incredible opportunities have come around and I have not had that gut reaction, and everyone around me has said, “You have to do this movie, because it’s this director or it’s this actor.” But I haven’t had that gut reaction so I passed.

STAN: Did you have butterflies when you read that you could work with Jamie Dornan?

WOODLEY: And that I got to work with Sebastian Stan? And Lindsay Sloane? Here’s the thing. I’ve seen half of Fifty Shades of Grey and I’ve seen I, Tonya, and that was the extent of my knowledge of you and Jamie as actors. So for me, it was exciting to get to work with these two people I was very unfamiliar with. It allowed me to get to know you guys for who you were, versus the idea of who I thought you were going to be as actors.

STAN: I know, I’m just teasing. You came in really late. I had a call with Drake [Doremus] and he said to me, “Hey, we’re going to try Shailene Woodley for the lead.” And I was like, “Oh my god, she’s incredible. Go for it.” A day or two later it was like, “Yes,” and then suddenly we were meeting at his apartment in L.A., and you and I were doing a staring contest while he was asking us personal questions about life, liberty, and the pursuit of happiness. Do you remember that?

WOODLEY: I’ll never forget it.

STAN: You were definitely better at staring than me.

WOODLEY: I get high off shit like that. I love connection and I love being put in uncomfortable situations. You and Jamie were just as daring in your vulnerability. It’s such a rare trait to find in people, even in actors. The whole point of being an actor is being vulnerable, but I can’t tell you how many actors’ eyes I’ve looked into and all I see is a performance. I don’t see them at all, which is sometimes devastating, because there’s nothing real to connect to. So the opportunity to connect that deeply and to just dive straight in, that was like candy for me. It was so yummy.

STAN: The whole improvisational aspect of it was about getting out of our comfort zones.

WOODLEY: Every day was an invitation to reveal something about yourself that you were hiding from.

STAN: That’s so intense.

WOODLEY: I try to relate it to other experiences in my life, even the greatest loves and friendships of my life. There’s a depth that you still don’t necessarily reach that we all reached together as strangers, because we took a blind leap of faith into the unknown. I remember saying things and feeling things and doing things that I would be more censored about in my real life. It was easier to be vulnerable and to throw caution to the wind, and that is Drake Doremus’s gift. He creates a container for us to be able to go to therapy for 21 days straight.

STAN: Is that what this was for you?

WOODLEY: I guess I mean therapy in the sense that I usually feel the most vulnerable when I’m in therapy. I needed therapy after the movie, to recover from the film. But during the movie, it felt like a playground. Everyone involved was so down to truly look into one another’s eyes and smell each other’s smells, and that makes or breaks a film. I don’t think a lot of actors are willing to do that, or have been told they’re allowed to do that.

STAN: What would you want people to take away from this movie?

WOODLEY: Oh, fuck. I don’t know. Wear a condom. [Laughter.] The greatest thing I could take away from this movie, as someone who’s watching it, is the sense that we’re conditioned to look for one person in our lives. We expect them to bring us joy and happiness, and it’s such a falsity. That will never happen. In this movie you witness that through this woman’s journey. I hope people take that and apply it to their own lives, whether they’re in a relationship or not. The most important relationship you can cultivate is with yourself. I crave the sincerity of presence that we had on our movie.

STAN: What does sincerity of presence look like on the set of Big Little Lies?

WOODLEY: Are you trying to set me up here? Working with Meryl [Streep] was absolutely fascinating, because she has somehow mastered the art of performance, of knowing every single tick about her character, while also marrying that with complete and utter presence, which is a skill I don’t have yet. Nicole [Kidman] is very similar. They know inside and out who their characters are. That must come from experience. When you work with people who are better than you, or who you admire, you show up differently to set. And I have to say, I just fucking love working with professionals. Whether you’re someone who’s been on one movie set or you’re Meryl Steep, that doesn’t matter to me. What matters is your sense of adoration and passion for the craft of acting. I get frustrated when I work with people who don’t seem to appreciate the gift that we’re given as actors to be able to express ourselves in this way. I just finished working with Jodie Foster and there is no one on this planet like her.

STAN: What was that like?

WOODLEY: That woman restored my faith in this industry simply by being who she is. She has paved her own way from the very beginning. You know so little about Jodie Foster’s personal life, about who she is as a human being, and yet you feel so connected to her in every movie she does because she gives it her all. She’s dissecting a film from every perspective. The lens of a director, the lens of a producer, the lens of an art director, the lens of a production designer, the lens of an actress. Meryl is the same way. It inspired me to work harder than I’ve ever worked before, and to also not give a fuck.


Press/Audio: Sebastian discusses ‘I, Tonya’, ‘Avengers,’ & Auditioning for Bucky & Captain America, and Plays on Sirius XM’s Jim And Sam Show – September 10, 2018

Sirius XM – Sebastian Stan discusses ‘I, Tonya’, ‘Avengers’ , Auditioning for Bucky & Captain America, and Plays on Sirius XM’s Jim And Sam Show. Click below to listen. This interview is from September 10, 2018 I was able to pull it and didn’t know if it’s been heard around fandom or not so please enjoy!


Press/Audio: Sebastian Stan discusses ‘Endings, Beginnings’, ‘Destroyer’ & ‘The Bronze’ on Sirius XM’s The Jess Cagle Show

Sirius XM ‘Endings, Beginnings’ – In present day Los Angeles, Daphne (Woodley), a thirty something woman, navigates love and heartbreak over the course of one year. Daphne becomes intertwined with friends Jack (Dornan) and Frank (Stan) after meeting them at a party. During that time, she will unlock the secrets to her life in a sudden turn of events and in the most surprising of places. ‘Endings, Beginnings’ is now on digital, VOD May 1.

Sebastian Stan discusses ‘Endings, Beginnings’, ‘Destroyer’ & ‘The Bronze’ on Sirius XM’s The Jess Cagle Show. Click below to listen.


Press/Video: Watch Shailene Woodley, Sebastian Stan discuss their intense chemistry in ‘Endings, Beginnings’ (SPOILERS)

Entertainment Weekly – When it comes to romance, we’re all just improvising our way through — and for the cast of ‘Endings, Beginnings’, that became true of their movie-making process as well.

The new romantic drama from director Drake Doremus stars Shailene Woodley as Daphne, a thirtysomething woman navigating love and heartbreak over the course of one year. That love and heartbreak comes courtesy of two men, Jack (Jamie Dornan) and Frank (Sebastian Stan). But the twist is that the entire movie was improvised.

Sitting down with EW for a recent Zoom roundtable, the cast discussed the challenges of ad-libbing a feature film, and how they found their chemistry. “I felt very anxious to want to please you, way more than I’ve felt on any movie,” Stan confessed to Doremus. “I really want to make sure he gets what he wants. But I think that’s the nature of the unknown of that.”

Woodley echoed Stan’s thoughts, though she said things got easier as they went along. “At first it felt a little bit daunting. We started out the movie in Big Sur, and that was the hardest part because Sebastian and I didn’t really know each other at that point,” she recalled. “That was the trickiest part for me, of just knowing how close should these two people be with one another, and because you’re improvising, you don’t really know what has happened in their story beforehand. It’s kind of a guessing game. That was the hardest part, that first week in Big Sur, those first couple days, and then after that, it just felt fun. It felt like every single day we got to come to set and play together. It didn’t feel like improv at one point, it just felt like life.”

In contrast, Dornan said he found the approach freeing, particularly during a scene where Woodley’s character must tell him about her pregnancy. “I felt like weirdly I could’ve done that scene for the rest of my career and been satisfied,” he said. “Shai was the most raw and honest person I’ve seen, with or without a camera in their face. Every time she walked in the kitchen, I didn’t have a f—ing clue what she was going to say.”

For Doremus’ part, he was thrilled with the results he got from his cast. “I feel like all the performances in the movie are so natural,” he said. “You don’t see the strings really at all.”

For more from Doremus and his cast, including which movies they’d want to teleport themselves into, watch the video above. ‘Endings, Beginnings’ is available to stream now.


Press/Video: Sebastian Stan Talks ‘Endings, Beginnings’ and Working With Co-Star Shailene Woodley

Variety“Avengers” star Sebastian Stan talks about his latest film, “Endings, Beginnings,” including working with his co-star Shailene Woodley and how he managed to improvise throughout multiple scenes.


Press/Video: Watch Sebastian Stan read “I Love You to the Moon and Back” on savewithstories instagram

savewithstories (instagram) – “I Love You to the Moon and Back” – read by @imsebastianstan

On Instagram, the original post can be viewed here, the full caption reads:

“I Love You to the Moon and Back” – read by @imsebastianstan

“I Love You to the Moon and Back” by Amelia Hepworth, illustrated by Tim Warnes (published by @tigertalesbooks) – read by @imsebastianstan

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If you can manage a one time gift of $10, please text SAVE to 20222. If another amount would work better for you, please visit our website—link in bio. There is no maximum and there is no minimum—together we will rise and together we can help.

Thank you and stay safe. XX #SAVEWITHSTORIES


News: New ‘Endings, Beginnings’ USA Release Date – April 17, 2020 ‘Endings, Beginnings’ – In present day Los Angeles, Daphne (Woodley), a thirty something woman, navigates love and heartbreak over the course of one year. Daphne becomes intertwined with friends Jack (Dornan) and Frank (Stan) after meeting them at a party. During that time, she will unlock the secrets to her life in a sudden turn of events and in the most surprising of places.

Drake Doremus has made the following announcement on Instagram, you can view it here. The new release date is April 17, 2020.

In these crazy and rapidly changing times, self-reflection seems more important than ever… Due to theaters nationwide being closed indefinitely, we will now make the film available APRIL 17th on most platforms and then subsequently HBO. I hope the film brings you a sense of peace, love, reflection and calm in these difficult times. Thanks for checking out #endingsbeginnings Soon! Sending you ?? from afar D


Press/Video: Sebastian Stan’s Quarantine Winter Soldier Workout – The coronavirus may have put ‘The Falcon & Winter Soldier,’ on hold, but he’s been staying positive and active in the meantime Watch Sebastian Stan give his thoughts on being quarantined, working out at home, and more.

Also Sebastian’s trainer has created an app to give you the experience of “Train like an Avenger with Sebastian Stan’s soldier program”, Winter Soldier Workout Program.


News: ‘Monday’ World Premiere at Tribeca Film Festival postponed ‘Monday’, was supposed to have it’s World Premire at the Tribeca Film Festival. Today Tribeca released the following statement.

A Statement from Tribeca

We founded the Tribeca Film Festival as a way to heal our community after the devastation of the 9/11 attacks in 2001. We were determined to overcome our fear and anxiety by joining together. It is in our DNA to march forward while caring about our community

We have made the difficult decision to postpone the 19th Tribeca Film Festival (April 15-26) based on the announcement by Gov. Andrew Cuomo that events of 500 people or more are banned due to the spread of the novel coronavirus. We are committed to ensuring the health and safety of the public while also supporting our friends, filmmakers and storytellers who look to Tribeca as a platform to showcase their work to audiences. We will be back to you shortly with our plans.

Please check for the latest updates, ticket refund information and details about how we are moving forward.

‘Monday’ – Mikey and Chloe are two Americans living in Athens. Both are romantically unattached when they meet one hot summer Friday. Their instantaneous chemistry leads to a whirlwind weekend and questions about their future when they wake up Monday.