Category: Film

Oct
18

Photo/Video: More ‘Apprentice’ Press + ‘A Different Man’ Press (w/ Screen Captures)










Oct
18

News: Jeremy Strong confirms Springsteen biopic casting and reveals favourite album (includes Sebastian)

NME

Actor Jeremy Strong, best known for playing troubled media heir Kendall Roy in TV’s Succession, has told NME that he’s definitely on the cast for upcoming Bruce Springsteen biopic Deliver Me From Nowhere.

Rumours first emerged in May that he was up for the part of Jon Landau, The Boss’s longtime manager, but were never officially confirmed by Strong’s team. Now he says he’s rubber-stamped the deal – and revealed his favourite Springsteen record to boot: 1982’s stark, introspective gem ‘Nebraska’.

“It just always spoke to me, there’s a melancholy to it,” he said. “I am doing [Deliver Me From Nowhere] but I’d always felt that way about that album. There’s a narrative to it that comes from a very deep place in him and you can feel that.”

Strong also singled out Van Morrison’s acclaimed 1968 release ‘Astral Weeks’ as one he always goes back to. “It’s transportive and it’s pretty perfect,” he said. You can watch the full video interview, in which Strong is joined by Sebastian Stan – his co-star from new film The Apprentice – above.
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Oct
17

Photo/Video/Audio: Happy Sad Confused with Josh Horowitz (w/ Audio + Screen Captures)

Sebastian was on Happy Sad Confused with Josh Horowitz this week. Below is the video and Screen Captures + the audio players.



Oct
17

News: Sebastian Stan, the interview: “If I met Trump I would ask him how he looks in the mirror”

Movie Player

While answering questions, Sebastian Stan approaches the webcam lens of the computer he is connected to. As if he were, in a certain sense, eliminating distances. Connected from a London hotel for our exclusive interview , he is in the midst of the promotional campaign for Ali Abbasi’s The Apprentice , in which he plays none other than Donald Trump . A role, as they say, that is worth a career. An excellent performance by someone who could be considered one of the greatest contemporary actors.

The set, among other things, he shares with two other champions: Jeremy Strong in the role of fixer Roy Cohn, and Maria Bakalova who plays Ivana Trump. Sebastian Stan, for the entire twenty-four minutes of the interview (he was very generous, and that is not at all a common thing), thinks about the answers, takes a breath, weighs his voice. Like when he reflects on what the killer instinct of an actor is, given that in the film, the character of Trump himself, claims to have a deadly instinct “For me it is the truth, and how you make real what, instead, is not” .

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Oct
17

Photos: Gala premiere of ‘The Apprentice’ in Copenhagen, Denmark

I’ve added 47 UHQ/Untagged of Sebastian at Gala premiere of ‘The Apprentice’ in Copenhagen, Denmark that took place last night. Thank you to Sandra for her assistance on most of this one. I believe this is the complete set of photos.

Oct
16

Photos: ‘The Apprentice’ NY Premiere (More)

I’ve added 25 more photos to the gallery in addition to the 99 UHQ/Untagged of Sebastian at “The Apprentice” Premiere in NY that took place on the 8th.

Oct
16

News: Sebastian Stan Says Elaine May Film with Dakota Johnson Needs Insurance Director: Anyone Want to ‘Shadow’ May for Her Last Film?

Indiewire – The “kooky” feature, which Stan likened to “The Birdcage” meets “When Harry Met Sally,” was first announced in 2019. But it needs a shadow director for the 92-year-old May.

After leading dark comedy “A Different Man” and Donald Trump biopic “The Apprentice,” Sebastian Stan is slated for iconic filmmaker Elaine May‘s fifth and final feature, “Crackpot.” However, production is still waiting on a shadow director for the 92-year-old May.

Stan said during “The Big Picture” podcast that he is on board the project, which was first announced in 2019. Dakota Johnson is set to co-lead alongside Stan, but Stan said he still doesn’t know the status of the film — and he’s casting his net in hopes of helping May find a shadow director to insure the movie. It’s a common set practice with older filmmakers.

“I have this thing, I don’t know if it’ll ever get going,” Stan said. “I have this thing that Elaine May was going to direct. It was going to be her last film and her first film since ‘Ishtar.’ It’s this crazy, kooky comedy. It’s supposed to be with Dakota Johnson and myself … ‘The Birdcage’ [written by May] is one of my favorite fucking movies of all time, and that’s totally a comedy in the [same vein] of ‘When Harry Met Sally’… and all that great stuff. So I’m all over it. It’s just, weirdly, some things come together and other things you wait for.”

Stan added, “We’ve been trying to find a shadow director for Elaine May for the insurance company. So if anybody out there is hearing this and you want to fucking shadow Elaine May for her last film, let’s go do it!”

Guillermo del Toro most recently shadowed now-late filmmaker William Friedkin for his final feature, “The Caine Mutiny Court-Martial,” as an insurance director. Paul Thomas Anderson also famously shadowed Robert Altman for his last film, “A Prairie Home Companion.”

May, one half of famed comedy duo Nichols and May with late partner Mike Nichols, has directed four narrative films so far. She made her directorial debut in 1971 with “A New Leaf,” and later helmed “The Heartbreak Kid” in 1972, “Mikey and Nicky” in 1976, and “Ishtar” in 1987. She also directed the TV documentary “Mike Nichols: American Masters.”

“Crackpot” actress Johnson said in 2023 that she is also producing the feature.

“We are trying to get that done. It’s so hard to get any movies made ever, at all, but I’m producing it, and Elaine will direct it, and I’ll star in it,” Johnson said at the time, “and we’re working on casting.”

IndieWire has reached out to May’s representatives for comment. Details on the film’s plot are unknown so far.

Oct
16

News: Sebastian Stan’s Trump Impersonation in ‘The Apprentice’ Works Because It’s Not a Trump Impersonation

Collider

There was skepticism about the upcoming Donald Trump biopic The Apprentice ever since it was announced, as it seemed unlikely that any film about the life of one of the most controversial figures in American history would ever end up changing anyone’s mind. Beyond the fact that Trump’s entire life has been relentlessly covered ever since he first became a prominent businessman, there were concerns that any actor who took on the role would end up feeling like a comedic impression, similar to the performance that Alec Baldwin gave on Saturday Night Live in the lead up to the 2016 election. Although it would have been easy just to capture his instantly recognizable mannerisms, Sebastian Stan manages to capture Trump’s essence by showing the moments in his life that shaped him into such an influential figure.

‘The Apprentice’ Is More Than Just a Caricature

The Apprentice digs into a very specific period in Trump’s life, in which his father Fred (Martin Donovan), and the Trump Organization were being sued for allegations of discrimination in the development of apartment complexes. The film depicts a more desperate, vulnerable version of Trump who seeks out the mentorship of the legendary lawyer Roy Cohn (Jeremy Strong), who attained notoriety during the Cold War for being one of the prominent prosecutors of alleged communist spies in the United States. Cohn implores Trump to fight any legal or public relations battle that he can, and to never give into public pressure to apologize. However, Cohn does not realize that he would end up creating a monster, with Trump becoming even more vindictive as his quest for power becomes unquenchable.

Stan does not try to replicate all of Trump’s familiar phrases and physical tics, as it is very clear that he has not yet attained the confidence that would make him so successful as a reality television star. There was little point in telling a story about Trump if it was recounting events that a vast majority of the public was already familiar with, but The Apprentice digs deep into the dysfunctional core of the Trump family. Stan captures the animosity of a spurned child who seems desperate to please his father, even if that means crossing over any ethical boundaries; this includes ignoring the serious drug addictions that his older brother, Fred Jr. (Charlie Carrick) has been experiencing. The film’s most harrowing moments involve the dynamic between Trump and his first wife Ivana (Maria Bakalova), who would become an important figure within his empire. Stan makes it clear that Trump views Ivana merely as an object that he can discard as soon as he gets bored; although Trump has said some truly horrifying things in public, the sequences of domestic abuse in The Apprentice are a reminder of the facade that he has always put on.

‘The Apprentice’ Has Insightful Political Commentary

The Apprentice is an epic American tragedy that examines the culture that spurned Trump. Between the cuts given to the wealthy class and the dominance of corporations in the 1980s during the Ronald Reagan administration, Trump was able to fashion himself as a success story, even though he cheated his way to the top. Stan does an excellent job at showing the levels of self-denial that Trump goes through to convince the world that he is someone that should be viewed as a hero. Although it does offer some dark comedy, a scene in which Trump begins to think about the infamous “Make America Great Again” slogan deconstructs that making a phrase memorable is more important than giving it any value.

Stan’s performance is arguably the most memorable aspect of what is sure to be a divisive film, but The Apprentice is as much an indictment of capitalism as it is a criticism of Trump. The film suggested that by conducting himself with confidence and charisma, Trump was able to avoid facing any real consequences for the misconduct, misbehavior, and dishonesty that dominated his life. The Apprentice doesn’t necessarily capture the Trump of 2024, but Stan’s depiction of the role certainly feels like he could evolve into the controversial man who would change the fabric of American politics forever.

Oct
16

Audio: ‘The Brutalist,’ the Best Movies at the New York Film Festival, and ‘The Apprentice’ With Sebastian Stan!

Sean shares a recap of the best movies he caught at the 62nd New York Film Festival, including the heavy hitters at this upcoming Oscars, the latest installations from old masters and personal favorites, and the biggest surprises of the festival (1:00). Then, Ringer writer and Press Box host Bryan Curtis joins to share the myriad successes and failures of The Apprentice, Ali Abbasi’s character portrait of early Donald Trump’s rise to power in the New York real estate world and his complex relationship with lawyer and power broker Roy Cohn (50:00). Then, Sebastian Stan, who portrays Trump in the film, joins (1:30:00) to discuss how he chooses projects, what attracts him to playing characters who transform, and the long journey to getting The Apprentice in theaters. They also discuss his work in A Different Man, Aaron Schimberg’s new A24 movie about an aspiring young actor who undergoes a procedure to drastically alter his appearance in the hopes of improving his career prospects.

Oct
15

Photo/Video: ‘The Apprentice’ Press Interviews (+ some at BFI London) w/ Screen Captures

I’ve added more press interviews for ‘The Apprentice‘ along with interviews from the BFI Red Carpet today in London. Enjoy the update.