I’ve added 1 UHQ/untagged photo of Sebastian from the LA Magazine photoshoot (via Irvin Rivera’s Website) to the gallery, click below to view.Thanks to Ago for the information.
BUCHAREST: The Romanian-American actor Sebastian Stan will play a main character in the new film by the Romanian Palme d’or winner Cristian Mungiu. Fjord will start shooting in the spring of 2025 in Norway.
The project received the biggest amount of 703,538 EUR / 3.5 m RON at the latest batch of the grants contest organised by the Romanian Film Centre (CNC), whose results were announced at the end of October 2024. The project applied as an international coproduction.
Cristian Mungiu didn’t disclose further information to FNE, but the Norwegian casting agency Arkivet Casting announced a call for children (girls and boys) aged 12-14 (for main roles), and also for girls and boys of 6-10. The children should speak Romanian, English and Norwegian.
According to the casting call, the film is produced by Mungiu’s outlet Mobra films with the Norwegian company Eye Eye Pictures, and the shooting will take place in the Ålesund region in the spring of 2025.
“The film follows the relationship between two neighbouring families whose one partner is not Norwegian. The families live in a small town in Norway and their kids are in similar age. When their ideas about society, values and education start to differ, they are bound to ask themselves complex questions regarding cultural differences, the limits of intimacy, tolerance, freedom and private life”, according to Arkivet Casting.
Sebastian Stan has two nominations at the Golden Globes 2025 in the Best Performance by a Male Actor in a Motion Picture – Drama and Best Performance by a Male Actor in a Motion Picture – Musical or Comedy categories for his roles in The Apprentice and A Different Man.
The Romanian-born American actor, who left Romania when he was 8, was a guest of the 2018 edition of the American Independent Film Festival, organised in Bucharest by Cristian Mungiu.
Even if he tried, Sebastian Stan couldn’t have avoided thinking about getting not one but two Golden Globe nominations. The actor, who received bids for A Different Man and The Apprentice, was at a screening for the former the night before the announcement.
“People were just like, ‘Tomorrow, tomorrow, tomorrow,’” he recalls on this week’s episode of Awards Magnet. “It was a very surreal experience, but I was I was very grateful to obviously even be there once. And particularly with The Apprentice, it was even maybe more surprising because I just never know what to expect with that one.”
Stan is nominated for Best Comedy/Musical Actor for his turn as an aspiring actor with neurofibromatosis in A Different Man — for which he won the Silver Bear for Best Actor at the Berlin Film Festival — and for Best Drama Actor for playing a young Donald Trump in The Apprentice. He’s the first actor to score nominations in these categories since Ryan Gosling achieved it in 2012 with Crazy, Stupid, Love and The Ides of March.
While Aaron Schimberg‘s A Different Man, which Stan filmed in 2022, was delayed because of the Hollywood strikes, The Apprentice, which also netted a supporting actor bid for Jeremy Strong as Roy Cohn, faced an even steeper uphill battle from the beginning. The project had been in development for years before finally going into production a year ago. Detractors felt it’s too soon for a Trump film, especially in an election year. Despite getting good reviews at the Cannes Film Festival, the film, directed by Ali Abbasi, struggled to find a distributor as Trump’s team threatened legal action before Briarcliff Entertainment stepped up.
“I feel like Ali Abbasi — kind of the way he shot it and the way he’s made the film – it’s really kind of maybe the best version of what that film could have been, given all of the circumstances and the subject matter and everything,” Stan says. “So, even like both of us [nominated] was a big gratifying moment, obviously, because I feel so connected with him.”
Last month, Stan went viral after he revealed during a Q&A that he was unable to participate in our sister site Variety’s Actors on Actors because publicists did not want their clients to discuss Trump. Stan says he brought up “the Variety thing” in the Q&A to make a larger point about fear, adding that multiple distributors loved The Apprentice but were reluctant to pick it up.
“I guess there’s always been fear around movies … but this time it sort of feels obviously more raw because it’s all happening in real time. This movie is not a film that waited 10 years when we all got good and comfortable to look at [and question] choices we’ve made,” he says. “We’re being challenged to not be indifferent in a time where, for survival — mental and emotional — we’re leaning towards being indifferent. I think that’s the difficulty around it. And what we’ve been trying to talk about was that regardless of your point of view of the subject or him or whatever, or how you grew up or where you’re from, there is still the benefit of having an experience with a movie, which is what a movie is supposed to do. … You can go and have your own experience with this person for two hours, and there is an instinct there that you may have as a human being that will override whatever else.”
Earlier this month, the actor shared on The Tonight Show Starring Jimmy Fallon that Steven Spielberg told him at the Governors Awards that he loved his performances in both films. “Other people, other actors” have expressed love and admiration for The Apprentice specifically in private to Stan, and he hopes nominations from the Golden Globes and the Independent Spirit Awards will give people “permission to just acknowledge the movie publicly.”
“Not only do we feel like it turned out the best it could have happened with what we were dealing with circumstantially, but then it does get validated when you get text messages and emails that your agents are forwarding you from people you’ve grown up with admiring that are like, ‘Hey, I just want to tell you this is my favorite thing I’ve seen,’” he says. “I don’t know if this will, in 10 years’ time, as we’ve had a moment in a distance to kind of look at it again, maybe it will be considered, but I do feel it will be talked about.”
The 2025 The Hollywood Reporter (THR) Actors Roundtable is below. I’ve also added 450+ screen captures to the gallery along with the photoshoot. To watch click below and to read click here.
Photo Sessions > Session #151 > Session #151 – Beau Grealy
The Hollywood Reporter – Adrien Brody, Sebastian Stan and Peter Sarsgaard bond over the pressures of delivering a standout performance: “I had a panic attack every night.”
Photoshoot: #151 –Session #151 – Beau Grealy
Former James Bond Daniel Craig, The Pianist Oscar winner Adrien Brody, Euphoria Emmy winner Colman Domingo, Marvel superhero turned Emmy nominee Sebastian Stan, consummate character actor Peter Sarsgaard and Oscar-nominated heartthrob Paul Mescal range in age from 28 (Mescal) to 56 (Craig); hail from around the world (America, England, Ireland and Romania); and forged very different paths to stardom. But they all share one thing in common: Each gave a standout performance in a 2024 film — or, in Stan’s case, two — that led to them congregating in mid-November at Soho House West Hollywood for THR‘s annual Actor Roundtable.
Their characters are unforgettable: a Jewish architect who survives the Holocaust and comes to America (Brody in The Brutalist); a gay American addict in 1950s Mexico (Craig in Queer); an incarceree who finds purpose in art (Domingo in Sing Sing); an angry young man set on destroying the city that betrayed him (Mescal in Gladiator II); a TV exec who oversees live coverage of a terrorist attack at the 1972 Munich Olympics (Sarsgaard in September 5); a disfigured actor who undergoes facial reconstructive surgery (Stan in A Different Man); and a striving young Donald Trump (Stan in The Apprentice). So, too, was their conversation.
Entertainment Weekly interviewed Julia Louis Dreyfus (article linked above) and included new production stills in the article. I’ve now added the 3 new stills UHQ/untagged in the gallery. Thanks to Sandra for the assistance. Enjoy.
Film Projects > Thunderbolts (2024) > Production Stills
“Art is supposed to highlight the things that we can’t always communicate. It’s supposed to go deeper on an instinctive level. For us to understand the values that we’re upholding—the virtues, morality, grace, depth, empathy… we have to know what the opposites are. Part of what The Apprentice is about is that a lot of what we feel about people is our own projection of that. When we’re handed circumstances to view a person differently, you will see the thing that you’re supposed to see.”
-Sebastian Stan, episode 397 of Talk Easy with Sam Fragoso
Actor Sebastian Stan has built a career out of shapeshifting.
This week, he joins us to discuss the process of transforming into Donald J. Trump in The Apprentice (8:27), his personal relationship to the American dream (15:35), and the extensive research that went into recreating 1970s-1980s New York City in the film (17:27). Then, we unpack Sebastian’s Romanian upbringing (29:00), the gift of his unconventional, nomadic childhood (34:40), and what the film represents in this post-Election moment (38:30).
On the back-half, we talk about the impact of the late director Jonathan Demme (50:45), Stan’s radical and stunning work in A Different Man (55:08), what both of his new films reveal about reality (59:14), and what the silencing of The Apprentice—and his Actors on Actors shutout—reveals about the entertainment industry (1:00:00). To close, a reflection about control and how Sebastian embraces everyday life (1:17:55).
Show-notes:
Watch Sebastian’s latest performances in The Apprentice and A Different Man.
See selections of his previous work: Pam & Tommy, Fresh, I, Tonya, Logan Lucky, The Martian, Captain America: The First Avenger, and Rachel Getting Married.
The 2025 LA Times Actors Roundtable is below. I’ve also added 300+ screen captures to the gallery.