Category: A Different Man

Feb

News/Photo/Video: A Turn as Trump Made Sebastian Stan an Unlikely Oscar Nominee | New York Times

New York Times – He is attracting different attention, and some leading man hardware, after standout performances in “The Apprentice” and “A Different Man.”

For accompanying photo: Session #157 – Caroline Tompkins.

For the accompanying video clip click here.

For the screencaps of the video clip click here

For years, it seemed fair to assume that the actor Sebastian Stan could make a career on both sides of Hollywood. There was dabbling in juicy supporting roles — he played the ex-husbands of both Tonya Harding and Pamela Anderson — while comfortably returning to the action-hero part for which he is best known: Bucky Barnes. As the erstwhile sidekick of Captain America, Stan has been a regular in the Marvel Cinematic Universe movies since 2011 (including “Thunderbolts*,” which hits theaters in May). There are surely worse fates than simply maintaining that balance.

“There’s a group of actors — I’ll put Colin Farrell in this group as well — that are so handsome that in some sense it works against them,” said Jessica Chastain, Stan’s friend and castmate in “The Martian” and “The 355.”

While being too good-looking a movie star may be world’s-smallest-violin territory, a whirlwind year with two standout unconventional performances now has the 42-year-old cast in a very different light. It has also already brought in some leading-man hardware, with more maybe to come.

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Published by Samantha

Published on Feb 12, 2025

A Different Man Audio Guest Roles Interviews Media Press The Apprentice

Feb

News/Audio: For Sebastian Stan, ‘The Apprentice’ Playing In Theaters Was The Win

NPR

Sebastian Stan is up for an Oscar for his portrayal of President Trump early in his career, when Roy Cohn was his lawyer and mentor. Stan says Cohn schooled Trump in “denying reality and reshaping the truth.” He spoke with Terry Gross about his childhood in Romania, wearing prosthetics for A Different Man, and his breakthrough role on Law & Order.

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Published by Samantha

Published on Feb 11, 2025

A Different Man Articles

Feb

News: ‘A Different Man’: Oscar-Nominated Makeup Artist Explains the Link Between Storytelling and Prosthetics

The Wrap

“I’m basically a storyteller, just with the skin on a character’s face,” explained Mike Marino, the prosthetics maestro whose reputation is fast becoming as lauded as movie makeup legends Rick Baker and Stan Winston.

At this year’s Golden Globes, Marino was acknowledged not once, but twice by winning actors on stage: First by Colin Farrell, who is unrecognizable in HBO’s “The Penguin”; and then by Sebastian Stan, who won for his role in the dark indie comedy about disfigurement and self-acceptance, “A Different Man.”

“That was a huge compliment,” Marino told TheWrap of the shoutouts. “People were texting me that night — producers and actors and heroes of mine like Rick Baker — joking, ‘These are the Marino Globes.’ I’ve been doing this for my whole life and I’m just super thankful and fortunate to do what I do. Prosthetics work isn’t the crazy, booming business it once was, but I’m following in the footsteps of my mentors and trying for greatness every single time, because that’s what I learned from them.”

For his work on “A Different Man,” Marino notched his third Oscar nomination in the makeup category (shared with David Presto and Crystal Jurado). His previous noms were for “Coming 2 America” (2021) and “The Batman” (2022), but “A Different Man” is in a whole other key – the lowest budget of Marino’s three nominated movies, by many millions, with a svelte shooting schedule of just 22 days.

Directed by Aaron Schimberg, the story follows Edward (Stan), a man with facial disfigurement whose insecurities worsen after he undergoes a treatment to improve his face. After the change, he meets Oswald (Adam Pearson), a warm, chatty Englishman with the same facial condition as pre-transformation Edward.

A few weeks before the film began production in 2022, Marino was contacted via text message by Stan, who is also an executive producer on the film, asking if the makeup artist could lend his prosthetic gifts. Marino, who is based in New York, where the movie would be filmed, was intrigued.

“I read the script and thought, ‘This is totally strange and original and I need to do this,’” he recalled. “We’re living in a time where everyone’s trying to look as perfect as possible, and this story actually has something to say about that. Edward goes through this metamorphosis, where he becomes a handsome guy like Sebastian Stan, but after he loses his face, he doesn’t know who he is.”

With Pearson as a blueprint (the actor, who made his film debut in Jonathan Glazer’s “Under the Skin,” has neurofibromatosis), Marino crafted a three-piece silicone prosthetic for Stan’s character.

“In a previous era, it would have been seven or eight pieces, but the majority of this was one main piece, with also a tiny eyelid and a lower lip,” Marino shared. “And with Sebastian, we got it down to a two-hour application, once the hair and the eyebrows were glued on.” While not filming, Stan wore the makeup on the streets of New York City, both to test its credibility and to feel the reactions of passersby, a theme that the film handles with a mixture of poignancy and irony.

The story also called for several stages of makeup, as Edward is experiencing his facial transformation. For a scene in the bathroom, Marino paid homage to a moment from an 1980s ghost horror classic.

“Aaron, Sebastian and I, we’re super film geeks, and we watched that nightmare sequence in ‘Poltergeist’ where a guy in a mirror peels off part of his face. The funny thing is that for that movie, they only had one shot to get it right, so [screenwriter] Steven Spielberg stepped in and did the peeling himself. Those are his hands in the scene. For us, Sebastian had the responsibility to get it done just right, which he did perfectly.”

Marino also cited “The Elephant Man” as his favorite movie — the one that most determined the path of his life and career — and is grateful that critics and audiences have understood the ideas in “A Different Man” on similar terms.

“David Lynch captured the beauty and the humanity of Joseph Merrick in that film,” he said. “And I love the reactions to Adam’s performance in our film, which prove that people get it. People love Adam when they see him and talk to him, and it doesn’t matter what he looks like and all that superficial stuff.”

The history of movies, Marino mentioned, is notable for the contributions of makeup artists, as far back as Lon Chaney in the silent era and Jack Pierce, who worked on the original “Frankenstein.” Marino is an avid devotee of their efforts and even studied as a protégé under Oscar-winning makeup man Dick Smith (“The Godfather,” “The Exorcist,” “Amadeus”).

“I look at my work as who I am,” he said. “I’m not just a hired gun, which sometimes people want on their production. I have to be interested in the material and feel that it’s right, like with this movie. I love to approach a character and ask, ‘How did this person grow up? How do they live? What are they thinking?’ Makeup is storytelling.”

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Published by Samantha

Published on Feb 07, 2025

A Different Man Articles Interviews Press The Apprentice

Feb

News: Sebastian Stan on Curiosity, Confrontation, and His Oscar Contenders

When Things Go Pop

Sebastian Stan has had a wild twelve months that I strangely found myself a small part of.

Stan received critical acclaim and awards attention for two films: A Different Man, where he played an actor with a facial disfigurement, and The Apprentice, where he played a young Donald Trump. Both performances are intricately detailed and precise, evading stereotypes and caricatures amidst shifting themes and tones. They also encapsulate a common theme in his work that I first noticed in Fresh: exploring characters’ darker impulses that others either miss or deliberately ignore. Despite their acclaim, both films struggled with distribution and promotion, with The Apprentice facing lawsuit threats and industry hesitance to engage with the film. He went viral after revealing that he couldn’t participate in Variety’s Actors on Actors series because other actors’ publicists didn’t want them discussing the newly-elected president. (My tweet describing the situation as reprehensible went viral, too.) Despite the blowback, Stan remained upfront and outspoken, fashioning himself as a fearless, principled artist during a fraught political and cultural moment.

Stan’s unique position and detailed approach to his work were reinforced in my interview with him for AwardsWatch, conducted days after he won the Golden Globe for A Different Man and before his Oscar nomination for The Apprentice. It was a full circle moment of sorts for me, after advocating for A Different Man since seeing it in April, interviewing Matia Bakalova for The Apprentice, and meeting director Aaron Schimberg following a screening in New York. During our conversation, I sensed that he wanted to meet his moment in time responsibly, emphasizing how important curiosity and empathy were to the human condition. Given his challenges in releasing and promoting his films, I also sensed, through our few interactions, how genuinely moved he was by the support and recognition he’s received. (Case in point: he was incredibly generous with his time when he didn’t have to be.) It’s near-impossible not to be thrilled for him and the acknowledgment of his talent and thoughtfulness.

My goal in publishing this interview in full is for others to sense what I have about Sebastian Stan over these past twelve months by giving him the space to share his journey, in this awards season and in the larger context of his complex career.
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Published by Samantha

Published on Feb 07, 2025

A Different Man Interviews Photos Press The Apprentice Thunderbolts Videos

Feb

Photo/Video: Sebastian Stan on Prepping for his Oscar Nominated Role (w/ screencaps)

Screen Captures > Web Videos > ‘The Apprentice’ Press Tour > Parade

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Published by Samantha

Published on Feb 07, 2025

A Different Man Interviews Media Photos Press Projects Videos

Jan

Photo/Video: Steal The Look Entrevista – Sebastian Stan & Adam Pearson (w/ Screen Captures)

Screen Captures > Web Videos > ‘A Different Man’ Press Tour > Steal The Look Entrevista

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Published by Samantha

Published on Jan 19, 2025

A Different Man Articles Fjord Interviews Press The Apprentice The Brutalist

Jan

News: Sebastian Stan on His Cristian Mungiu Film, the ‘Brutalist’ Role He Almost Played, Actors on Actors, and Battling for ‘The Apprentice’

Indiewire – The surprise Golden Globe winner tells IndieWire why the industry remains “apprehensive” about his Donald Trump role and about new indie projects with Mungiu and Justin Kurzel.

If you don’t watch Marvel movies, then you don’t know Bucky Barnes, which means you only know Sebastian Stan as the also-indie actor behind films like 2024’s “A Different Man” and “The Apprentice.” Both movies have put him in the awards race, and possibly the Oscar running, especially after his grimly funny, pathos-spiked turn as a self-loathing, out-of-options actor with neurofibromatosis in Aaron Schimberg’s “A Different Man” won him a surprise Golden Globe for Best Actor in a Musical or Comedy. That night, he was also nominated for Best Actor in a Drama for “The Apprentice,” where he plays a ’70s New York-era Donald Trump.

Had scheduling gone a different path, he would’ve starred in Brady Corbet’s also-Oscar-contending “The Brutalist,” but Stan had plenty on his plate last year and into this one, setting him up for his biggest awards season run yet. His transformative Trump performance in director Ali Abbasi’s “The Apprentice” has been celebrated since the film‘s 2024 Cannes premiere. Top distributors shunned the film until rookie releaser Briarcliff Entertainment got on board in August 2024, billionaire investor Dan Snyder tried to wrangle creative control and block the release, and, eventually, Stan’s peers declined the chance to speak with the American-Romanian actor in Variety’s popular Actors on Actors series, a major platform for awards contenders. Stan has been candid about not finding a sparring partner for the publication’s viral program. Why not? People don’t want to go near a movie about the incumbent president, including American audiences ($4 million domestic).

Speaking with IndieWire over the phone, Stan said that once he went public with why he wasn’t participating in Actors on Actors, “A lot of friends called me and said, ‘Hey let’s go do this together.’ That was obviously very thoughtful and very kind, but for us, Ali, Jeremy [Strong, who plays lawyer Roy Cohn], that was nothing really new.” (Last November, Variety’s editor-in-chief Ramin Setoodeh told IndieWire, “We invited [Stan] to participate in ‘Actors on Actors,’ the biggest franchise of awards season, but other actors didn’t want to pair with him because they didn’t want to talk about Donald Trump.”)

Stan continued, “We had been facing that kind of a thing since Cannes, whether it had even been photo shoots promoting the film, or certain people that were like, ‘We don’t want to go near this.’ Every interview since Cannes, we’ve been asked, ‘How’s the reception been? Why do you think studios are apprenehsive?’ This is sadly the reality. We have a lot of people who love this film or say they do, but when it comes down to jumping in the fire a little bit … hesitancy is understandable, to some extent.”

While understanding the emotional component around not wanting to see a movie about a leader and convicted felon who is on TV every second of the news day, Stan said, “However, around hesitancy, there’s also a slippery slope toward indifference, and that complements fear. That’s the only distinction we have to keep trying to make. You can rightfully own, ‘Hey, this isn’t for me,’ or ‘I don’t want to go there.’ But in terms of ‘I’m too worried, I’m too scared, I don’t want to get in hot water,’ then it’s like, what’s the next thing that becomes OK to not want to deal with it because it’s uncomfortable? We didn’t understand what was so uncomfortable about the movie.”

“The Apprentice” received mixed reviews at Cannes, though I remember in my festival screening being surrounded by European journalists laughing their heads off because they see Trump as a comic figure. Many Americans do not, and with “The Apprentice,” we don’t yet have the benefit of hindsight because we’re still living in the Trump era.

“Usually what happens is you look at movies like ‘Nixon’ or the movie ‘Downfall,’ which is about Hitler, [the movies] happen years later. We’ve had time to process our emotions about it, and we’ve had some distance so we can go back and look at what went wrong or what we [believed] at the time,” Stan said. “You don’t have that luxury [with ‘The Apprentice’]. We don’t have the luxury of not dealing with this person.”

Going back to his moment winning the Globe for “A Different Man,” it’s been a mixed blessing for double nominee Stan.

“There was this unbelievable kind of moment at the Globes that I never really thought was ever going to happen, and you have a brief moment of that, and suddenly, anything can flip,” he said of L.A. going into panic mode right after the Globes amid the ongoing wildfires in Southern California. “In terms of Mother Nature… at the end of the day, it really is just people. We’re all in the same boat there. There’s nothing to differentiate or anything. We are all pretty much in the same boat.”

After he’s finished with awards season duties, Stan expects to head to Europe in March to film the new film from Palme d’Or-winning auteur Cristian Mungiu, which brings the “4 Months, 3 Weeks and 2 Days” filmmaker’s usual moral ambiguity into a real-life case of abuse in Romania. He’ll be reuniting with “A Different Man” star Renate Reinsve for the film, which will shoot in Romanian, English, and Norwegian.

“With all of these smaller indies, I always feel even while I’m on the plane going there, I’m always worried, ‘Is the financing going to come through? It’s on its way,” Stan said. “He’s been up there with me for a few years with filmmakers from Romania where I’ve been calling him trying to find a way to work with him, where I can speak Romanian as well. We finally found this story, which is about a Romanian family who’s moved to Norway and then ends up in this very complicated trial. There’s a system [that] investigates cases if there’s ever been physical abuse in the household between the parents or the kids. They go investigating the family for an incident, and it leads to this trial. It happened before the pandemic, and it became national news. There were a lot of religious communities that came to their side, and it’s really interesting and quite complicated.”

Stan has also been instrumental in shepherding the next film from Australian “The Order” director Justin Kurzel, “Burning Rainbow,” about a true Waco-style FBI standoff that brought down a pro-marijuana campground in Michigan a week before 9/11. He’s attached to star in the story of Tom Crosslin and Rolland Rohm, a gay couple defending their land amid police investigations linked to a Rainbow Farm festival-associated killing and their marijuana plants.

“They were raising a child as well,” Stan said. “They were real activists in some ways, and they were very controversial as well because they were running this Rainbow Farm, which was like the start of this Woodstock-style festival that was bringing all these people together, advocating for legalizing marijuana. It was also such a loving place. They were attracting a lot of attention from local authorities, and a lot of controversies were going on down there. It all happened before 9/11, so there are many people who don’t know this story. But I’ve known about it for six years or something. I’ve been tracking it through different evolutions, and it finally landed with Justin. I was tracking him now for two years to basically give me a chance, and finally, I think we’ve got to go and find all the other people.”

As for “The Brutalist,” Stan was announced to star in Brady Corbet’s Golden Globe Best Picture winner in 2019, but scheduling changes on “The Apprentice” interfered. (“The Brutalist” shot in early 2023; “The Apprentice” didn’t film until that fall after a few false starts.) Stan would’ve played Joe Alwyn’s role, Harry Lee Van Buren, the pompous son of Guy Pearce’s moneyed industrialist who exploits Adrien Brody’s Jewish-Hungarian architect.

“I’m glad that the timing [didn’t work out] … The difficulty of that movie is astounding. What they were able to achieve. Some of us would be attached. I was sort of the last one, but then [Corbet] started to go. Because ‘Apprentice’ kept getting pushed, those two started to overlap at one point. I wasn’t available for it, but having seen the movie, Joe is amazing in it, and I would have been too old by that point anyway. I feel like it worked out for the best. It makes total sense with Guy being his father,” Stan said.

As for how Stan’s indie roles fit into the Marvel orbit, especially as he’ll be seen in “Thunderbolts” this spring again as Bucky Barnes, he said, “If I hadn’t had so many opportunities with Marvel with that character alone and creatively what I got to do, I don’t know if I would have been as driven to go in this other direction as well and try to find things that I’m not always at the top of mind for. I believe, like Brady Corbet, films are a directors’ medium. It is about the filmmaker. We have to trust the filmmakers. The best films to me, in my experiences, were with really strong directors with these strong points of view. It’s been amazing to watch Brady. I was attached to that film for a long time, going back to 2019, so I’ve known of that movie and have known Brady since we were kids auditioning. I would see him at casting calls, him and his mom. Even watching him up there on Sunday felt like I’d been weirdly attached to that story as well.”

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Published by Samantha

Published on Jan 14, 2025

A Different Man Audio Media Photos Press Reckless The Apprentice Videos

Jan

Photo/Video: Variety – Award Circuit Podcast

Sebastian recorded an appearance on Variety’s Award Circuit Podcast – for the article and audio click Variety – Awards Circut Podcast – Article/Audio.

Screen Captures > Web Videos > 2025 > Variety – Awards Circuit Podcast [Screen Captures]

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Published by Samantha

Published on Jan 13, 2025

A Different Man Articles Audio Interviews Photos Press Reckless The Apprentice

Jan

Audio/Photos/News: Sebastian Stan on Why Playing Donald Trump Was the ‘Hardest Thing’ He’s Ever Done and How ‘Thunderbolts*’ Is Like Marvel’s ‘The Breakfast Club’

Variety

Note: You can find the screencaps of the video version of the podcast (on spotify) here: Variety – Awards Circut Podcast [Screen Captures]

When Sebastian Stan greets you, there’s an earnest warmth in his voice that makes you forget, even for a moment, the intensity of the roles he’s embodied this past year. The 41-year-old actor is riding high on a wave of critical acclaim for his two vastly different but equally daring performances in “The Apprentice” and “A Different Man,” which earned him double Golden Globe nominations — a feat last achieved by Ryan Gosling in 2016.

This past year, Stan has proven, yet again, why he’s one of the most transformative actors working today. From donning prosthetics and exploring themes of self-acceptance in “A Different Man” to stepping into the psyche of one of the most polarizing figures in modern history for “The Apprentice,” Stan’s ability to disappear into a role is matched only by his determination to tell complicated stories, no matter the fallout.

If “A Different Man” was a personal exploration, “The Apprentice” was a social experiment. Directed by Ali Abbasi, the film is a biographical character study of a young Donald Trump, focusing on his formative years and the traits that would eventually define his presidency. For Stan, stepping into Trump’s skin was not just an artistic challenge but a minefield of public and industry scrutiny.

“This film has been the hardest thing I’ve ever done,” Stan tells Variety‘s Awards Circuit Podcast. “Not just because of the complexities of playing Trump, but because of the reaction it provokes.”

From the controversy surrounding its financier to the polarized reception tied to its release during an election year, “The Apprentice’s” journey to the screen was riddled with obstacles.

Stan is refreshingly candid about the hesitance he faced within Hollywood, both during the film’s production and in its aftermath. “I had people telling me not to do it,” he recalls. “They said it might alienate people, that I didn’t look like him, that it was too dangerous. But for me, acting is about going toward the uncomfortable… about trying to understand humanity, even in the darkest places.”

He carefully clarifies that “The Apprentice” isn’t about sympathizing with Trump but understanding him. “I think people interpret understanding as an attempt to sympathize, and that’s not the goal here. The film asks: would you trust this man? Would you put your life in his hands?”

Stan’s deep dive into Trump’s psyche revealed something even darker than he anticipated. “He’s given people permission to lose their humanity — to behave in ways they wouldn’t have before. And that’s what scares me the most,” Stan says. “The opposite of love isn’t hate — it’s indifference. And I worry about the indifference we’re seeing now.”

The backlash surrounding “The Apprentice” extended even to Stan’s professional relationships. When invited to participate in Variety’s Actors on Actors series, organizers struggled to find actors willing to pair with him due to his portrayal of Trump. Stan calls it a disappointing but unsurprising moment, emblematic of the discomfort many in Hollywood feel about engaging with the film publicly.

“It’s been revealing to see how hesitant people are,” Stan says. “I’ve had people come up to me at parties, saying it’s their favorite film of the year, but when it comes to supporting it publicly, there’s silence. That part of it has been tough.”

Still, there have been bright spots. People like Paul Walter Hauser, Stan’s “I, Tonya” co-star and friend, posted publicly on social media offering to partner with him for the Actors on Actors segment. That support did not go unnoticed by Stan. “That was awesome,” Stan says with a laugh. “Paul’s someone I’ve always admired, and moments like that remind me of the camaraderie that still exists in this industry.”

With “A Different Man” and “The Apprentice” firmly establishing Stan as a fearless actor, he’s looking ahead to new challenges. He’s currently developing a film adaptation of Ed Brubaker’s graphic novel “Reckless” and working on a project with celebrated filmmaker Cristian Mungiu.

And then there’s Marvel, of course. Stan is set to reprise his role as Bucky Barnes in the upcoming “Thunderbolts.” Describing the film as a misfit-driven story in the vein of “The Breakfast Club,” Stan hints at the humor and camaraderie fans can expect. “It’s a weird group thrown together, and I think people are going to love it,” he teases.

Regarding if he’ll appear in the upcoming “Captain America” sequel: “[Filming] ‘Thunderbolts*’, let me tell you, it was a much quieter year for me because I didn’t see Anthony Mackie. So, I’ll say that. Although I miss Anthony Mackie like daily, and it’s something I don’t like to admit.”

But for now, Stan is embracing the quieter moments. Speaking before the holidays, he was focused on trying to carve out time for family and last-minute gift shopping. “I’m usually pretty good with presents,” he says with a grin. “But this year, it’s been a little out of mind. I’ll put a day aside and figure it out on the fly.”

Little did he know during this conversation that a surprise win at the Golden Globes for “A Different Man” would be in his future. And it was well deserved.

Also on this episode, the Roundtable talks about this year’s Golden Globe Awards winners and what it means for the upcoming Oscar race.

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Published by Samantha

Published on Jan 13, 2025

A Different Man Articles Interviews Press The Apprentice

Jan

News: Sebastian Stan on How ‘The Apprentice’ and ‘A Different Man’ Tackle Comfort, Curiosity, and Confronting Our Fears

Awards Watch

It’s an embarrassment of riches to have two transformative, awards-worthy roles in one career. But what does it mean when you have two in the same season?

Sebastian Stan finds himself this year in rarified company, including the likes of Kate Winslet, Sigourney Weaver, and Jamie Foxx, with two acclaimed lead performances in The Apprentice and A Different Man. Both films have been received warmly so far: Stan just received Best Actor nominations for both films at the Golden Globes, winning for A Different Man, while The Apprentice landed on the BAFTAs longlist in six categories, including Best Film. The industry reception is remarkable, given both films’ uphill climb with their production and distribution. A Different Man was shot in 24 days in New York at the height of the COVID-19 pandemic and was delayed because of last year’s Hollywood strikes. Meanwhile, the Apprentice struggled to secure U.S. distribution after its buzzy Cannes premiere due to legal threats from Donald Trump and general hesitancy about how it tackled his early days. With all the hurdles, it would stand to reason that there is some vindication in seeing the fruits of labor pay off.

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Published by Samantha

Published on Jan 10, 2025