When Things Go Pop
Sebastian Stan has had a wild twelve months that I strangely found myself a small part of.
Stan received critical acclaim and awards attention for two films: A Different Man, where he played an actor with a facial disfigurement, and The Apprentice, where he played a young Donald Trump. Both performances are intricately detailed and precise, evading stereotypes and caricatures amidst shifting themes and tones. They also encapsulate a common theme in his work that I first noticed in Fresh: exploring characters’ darker impulses that others either miss or deliberately ignore. Despite their acclaim, both films struggled with distribution and promotion, with The Apprentice facing lawsuit threats and industry hesitance to engage with the film. He went viral after revealing that he couldn’t participate in Variety’s Actors on Actors series because other actors’ publicists didn’t want them discussing the newly-elected president. (My tweet describing the situation as reprehensible went viral, too.) Despite the blowback, Stan remained upfront and outspoken, fashioning himself as a fearless, principled artist during a fraught political and cultural moment.
Stan’s unique position and detailed approach to his work were reinforced in my interview with him for AwardsWatch, conducted days after he won the Golden Globe for A Different Man and before his Oscar nomination for The Apprentice. It was a full circle moment of sorts for me, after advocating for A Different Man since seeing it in April, interviewing Matia Bakalova for The Apprentice, and meeting director Aaron Schimberg following a screening in New York. During our conversation, I sensed that he wanted to meet his moment in time responsibly, emphasizing how important curiosity and empathy were to the human condition. Given his challenges in releasing and promoting his films, I also sensed, through our few interactions, how genuinely moved he was by the support and recognition he’s received. (Case in point: he was incredibly generous with his time when he didn’t have to be.) It’s near-impossible not to be thrilled for him and the acknowledgment of his talent and thoughtfulness.
My goal in publishing this interview in full is for others to sense what I have about Sebastian Stan over these past twelve months by giving him the space to share his journey, in this awards season and in the larger context of his complex career.
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