Category: Photos

Jan
07

Photos: ‘The 355’ Production Stills

Check out the newly released production stills of Sebastian as Nick Fowler from the action thriller ‘The 355’ which hits theaters today, January 7th!

When a top-secret weapon falls into mercenary hands, a wild card CIA agent joins forces with three international agents on a lethal mission to retrieve it, while staying a step ahead of a mysterious woman who’s tracking their every move.

Jan
07

Photos: ‘The Falcon and The Winter Soldier’ 1×03-1×06 Screen Captures + Episodic Stills

Hey everyone! So, I’ve finally had some free time and have been working hard to get the site caught up. With that said, I’ve added over 1000 high quality screen captures of Sebastian from the Disney+ series ‘The Falcon and The Winter Soldier’ which aired in early 2021.


In addition to the screen captures I’ve also added additional high quality episodic stills from the series as well.

Jan
05

News: Lily James’ Pamela Anderson and Sebastian Stan’s Tommy Lee Face Scandal in ‘Pam & Tommy’ Trailer

people.com — PEOPLE exclusively premieres the official trailer for Hulu’s Pam & Tommy, which chronicles the fallout after Pamela Anderson and Tommy Lee’s sex tape was leaked.

Hulu’s Pam & Tommy is almost here.

PEOPLE has the exclusive first look at the new official trailer for the upcoming eight-episode series, premiering on Feb. 2. The show will tell Pamela Anderson and Tommy Lee’s love story, as well as that of their infamous leaked sex tape and the scandal that followed. Lily James and Sebastian Stan star as Anderson and Lee.

The trailer shows a disgruntled former employee of the famous couple, Rand Gauthier (Seth Rogen), and his friend Uncle Miltie (Nick Offerman), stealing and watching the sex tape Anderson and Lee made on their honeymoon in 1995.

“This is so private, it’s like we’re seeing something we’re not supposed to be seeing,” Miltie says.

When they try to sell it though, Andrew Dice Clay’s Butchie tells the pair: “Nobody’s ever getting rich off a celebrity sex tape.”

Later, Gauthier suggests, “What if we sold it someplace nobody could find us? A website!”

“A what site?” his partner in crime replies.

Gauthier and Miltie’s scheme begins working. Anderson discovers the leaked tape while on the Baywatch set, wearing her iconic red swimsuit, of course.

Amid her panic, Lee doesn’t grasp the gravity of the situation. “You don’t seem to understand what a big deal this is,” Anderson says.

“I’m on that tape just the same as you,” the Mötley Crüe drummer responds, to which she says: “But this is worse for me.”

Anderson, now 54, married Lee, now 59, on a beach in Mexico in 1995 after dating for just four days. They would go on to welcome sons, Brandon, 24, and Dylan, 23, before divorcing in 1998.

Sue Naegle, one of the producers, and DV DeVincentis, who co-wrote the show with Robert Siegel, tell PEOPLE about how Pam & Tommy felt particularly relevant today and why a limited series was the best way to execute their vision.

“Having lived through that time in our culture, it seemed like a good moment to reexamine what happened to Pam and Tommy in 1995 through a 2022 lens,” Naegle says. “There was so much happening with the birth of the internet and this tape really shaped celebrity culture and the invasive paparazzi we know today. The story has so many moving parts, it needed to be told in a series.”

DeVincentis adds, “For one thing, the story is certainly too complex and sprawling to be told in the timeframe of a feature film. This story is so meaningful and powerful to revisit 25 years later because of how Pamela Anderson was misrepresented, misunderstood and underestimated. And it sort of rhymes with what so many women still go through, if not publicly then privately. For me, the instinct to reexamine what happened to her, retell and reframe it, was similar to what pulled me toward Marcia Clark in the OJ Simpson story. Both Pam and Marcia were targeted unfairly, harassed as they defended themselves, then left adversely redefined when the news cycle moves on.”

Technology has changed so much since 1995, especially with social media and how information is spread online. Continue reading

Mar
27

Photos: ‘The Falcon and The Winter Soldier’ 1×02 “The Star-Spangled Man” Screen Captures

I’ve added 825 high quality screen captures of Sebastian as James ‘Bucky’ Barnes from the second episode of ‘The Falcon and The Winter Soldier’ which aired on March 26th on Disney+.

Mar
20

Photos: ‘The Falcon and The Winter Soldier’ 1×01 “New World Order” Screen Captures

I’ve added 386 high quality screen captures of Sebastian as James ‘Bucky’ Barnes from the first episode of ‘The Falcon and The Winter Soldier’ which premiered March 19th on Disney+.

You can also find a NEW episodic still from the episode in the gallery. Check them out below:


Mar
20

Press/Photos: Sebastian to British GQ “Race, identity, patriotism… This is Marvel’s most relevant show yet”

GQ-Magazine.co.uk — Even as our backsides became numb and our eyes mere bloodshot arrow slits, at the very end of Avengers: Endgame, Sebastian Stan (as Bucky Barnes, the Winter Soldier) stayed true to form, keeping stoic and, largely, shtum.

While Anthony Mackie, in the role of Sam Wilson/The Falcon, was handed Captain America’s famous vibranium frisbee by a very wrinkly but very happy Chris Evans – thus becoming, for now, the MCU’s next Cap’ – all the dewy-eyed audience got from our favourite, oft-scowling tough guy was a modest nod of approval. No air punch. Not so much as a celebratory grunt. Stan as The Winter Soldier is nothing if not the very strong, very silent type.

Today, reminiscing freely about that last scene he had to play in Marvel’s multibillion-dollar-shifting Infinity Saga – Thanos defeated, Hulk with a sore hand, Tony Stark (*sob*) deceased, multiverse opened and unhinged – Stan explains how the germ of an idea for their new spinoff, The Falcon And The Winter Soldier, now streaming on Disney+, began to take shape. “This wasn’t something long planned, not at all,” he says, laughing, when I suggest super-producer Kevin Feige – Marvel’s boardroom-based end-of-level boss – may well have had Mackie and Stan’s on-screen partnership in the pipeline for years.

“Maybe Kevin did, but he didn’t tell me about it. But once Anthony and I realised these changes were taking place to the storyline in Endgame, in particular to the story of Captain America, I think both of us sort of looked at one another and thought, ‘Well, we’re still here! We’re not dead! So, what happens to us now?’”

Naturally, almost unflinchingly, Marvel’s “not-so-random successful movie generator” had a decent answer: “This show is a revival, in spirit at least, of some of those buddy comedies that were so popular in the 1980s.” Think Lethal Weapon – just with more capes and a bigger pyro budget.

“Anthony and I both get a kick out of working together; we always have a lot of fun. Also, this show is six hour-long episodes, which gives us a lot more to play with than a two-hour film. ‘Buddy’ walked out of that last film with an identity crisis, so there’s a lot to dive into.”

Stan pauses momentarily, chuckling to himself. He stares off camera to his left, something he does sporadically throughout our chat, like he needs a horizon in order to contemplate certain answers. We’re Zooming, natch, he in Vancouver shooting Fresh with Daisy Edgar-Jones – who was kind enough to take these photographs of Stan, exclusively for British GQ – and me in darkest North London nursing a Heineken 0.0.

Stan lifts a flat cap, scrapes back a full hand of jet-black hair. Although his accent rolls in deep and direct from New York City, the actor was in fact born in communist Romania, where he witnessed his parents struggle through the revolution. He spent time in Vienna too, before emigrating to the States with his mother aged 12.

“Actually, now we’ve got these longer scenes together, there’s a lot more dialogue between us.” You make it sound like that is a problem, I say. “Well, in a way it’s the bit that worried me the most. Not as an actor, per se, but as a fan of the character.” How come? “Well, Winter Soldier and Falcon have worked together best when they’ve had little to say to one another. We’re good at quips. So, now, what are they going to say to one another?”

This sounds somewhat trivial but Winter Soldier’s entire thing – as the man who has walked, run and generally caused mayhem in his boots since 2011 knows only too well – is a very nonchalant, 1950s sort of sullenness. “He’s been silent for, well, almost all the movies and that’s what made him cool. He was cool because he didn’t open his mouth, a sort of less-is-more, brainwashed assassin.

“For this show I had to find his voice, in all senses, and do it in a way that was timely to what is going on in 2021.” Timely, how so? Stan is emphatic: “Look, you can’t do a show that explores the title of Captain America without touching on some of the stuff we have seen on the news. In fact, I would argue this is Marvel’s most relevant show yet.” Continue reading

Mar
20

Photos: EMPIRE Magazine May 2021

Check out high quality scans of Sebastian and Anthony Mackie on the cover of the May 2021 issue of EMPIRE Magazine in the gallery now.

Mar
12

Videos: ‘The Falcon and Winter Soldier’ Featurette + 2 Exclusive Clips

You can watch the recently released featurette and clips above. The Falcon and The Winter Soldier premieres on Disney+ March 19th. You can find high quality screen captures from the videos in the gallery below:



Mar
12

Press: ‘The Falcon and the Winter Soldier’ Is Marvel’s Latest Double Act

The new Disney+ series, starring Anthony Mackie and Sebastian Stan, uses its superheroes to examine a world still on edge after a global catastrophe.

NYTimes.com — When Anthony Mackie got the call that the executives at Marvel Studios wanted to meet with him shortly after the release of the 2019 superhero blockbuster “Avengers: Endgame,” he figured he was either getting a new gig or getting fired.

But after several years and multiple Marvel films in which he had played Sam Wilson, that airborne ally of Captain America who is also known as the Falcon, Mackie was feeling optimistic.

“I’m walking in with the assumption that the next ‘Captain America’ movie is going to be me,” he said.

So Mackie traveled to the Marvel offices in Burbank. “I put on a suit,” he said. “I sit there like they’re about to tell me the best news I could ever get.” His ebullient voice receded ever-so-slightly as he continued: “Then they’re like, ‘We’re going to do a TV show,’” he said.

Beyond the fleeting dismay that he wasn’t being offered another film, Mackie said he was fearful that he wouldn’t be able to translate the Marvel brand to TV.

“I was taken aback,” he said, “mostly because I didn’t want to tarnish the Marvel moniker.”

This was how Mackie first learned of “The Falcon and the Winter Soldier,” the new Disney+ series that will make its debut on March 19 and continue the adventures of those two reluctant allies, played by him and Sebastian Stan.

Arriving two weeks after the finale of “WandaVision,” “The Falcon and the Winter Soldier” is Marvel’s second show that seeks to extend the characters and momentum of its cinematic universe into streaming television. Its narrative mission is straightforward: to tell the next chapter in the story of its title characters, last seen in “Endgame,” after an aged Steve Rogers (Chris Evans) has retired as Captain America and given his shield to Sam Wilson.

In both its story and its subtext, this show asks, how can the Marvel franchise continue without one of its most prominent figures?

As Stan explained: “We’re going to explore where these two guys left off, with one big character missing — the prominent figure that brought them into each other’s lives. Where are they, and how are they coping with the world?”

“The Falcon and the Winter Soldier,” consisting of six 45-to-55-minute episodes to be rolled out weekly, offers timely explorations into the nature of patriotism and extremism and the values of inclusivity, diversity and representation, set in a world striving for stability after a global catastrophe.

It is also a series freighted with implications for the Wilson character and for Mackie the actor, who, in a universe with precious few Black heroes, now have the chance to become full-fledged lead characters after long careers as sidekicks.

“I’ve gotten used to being the guy overlooked,” Mackie said. “It’s become part of my brand.”

The stage was set for “The Falcon and the Winter Soldier” about two years ago, when Disney introduced its Disney+ streaming service and turned to its subsidiary studios for original content.

At the same time, the Marvel Cinematic Universe was arriving at a narrative turning point with “Endgame,” which said farewell to beloved characters like Steve Rogers while creating opportunities for new champions to rise.

Kevin Feige, the Marvel Studios president, said that from the outset, his company wanted its Disney+ programs to feel as significant as its movies in terms of their production values and of the characters and stories they included.

“As far as Marvel Studios is concerned, the M.C.U. now lives in features and in shows,” Feige said. “We really wanted people to get used to the idea that it was going to be a back-and-forth. The story will be consistent across it and just as important in both places.”

Continue reading

Mar
12

Press: ‘The Falcon and The Winter Soldier’ Stars Sebastian Stan and Anthony Mackie Cover Empire Magazine’s May 2021 Issue

On your left! Empire’s new issue is an exclusive dive into Marvel Studios’ all-action superhero epic The Falcon And The Winter Soldier – chatting to Anthony Mackie, Sebastian Stan, Kevin Feige, Emily VanCamp, Daniel Brühl and more. On sale Thursday, March 18th.

You can Pre-order now!
(The link appears broken but keep checking it. Hopefully it will be fixed soon!)

Source: Instagram @EmpireMagazine