Sebastian is interviewed around the 2:09 mark. 🙂
Sebastian is interviewed around the 2:09 mark. 🙂
I have added photos of Sebastian from Marvel Studios’ Captain America: The Winter Soldier red carpet event before their panel at the San Diego Comic-Con!
Check out the newly released concept art and teaser poster for Captain America: The Winter Soldier which is set to hit theaters April 4th, 2014!
You can view the teaser poster by clicking the link below.
– Captain America: The Winter Soldier (2014) > Production Stills
I’ve added 5 photos of Sebastian at the PUNK Chaos To Couture Costume Institute Gala that was held in New York last night. A big thank you goes to Olivia of Lauren-Cohan.net for some of the photos.
– 2013 > 05/06/13 – PUNK Chaos To Couture Costume Institute Gala
I have added 23 photos of Sebastian from The Great Gatsby Premiere in New York from May 1st!
– 2013 > 05/01/13 – ‘The Great Gatsby’ Premiere in New York
I’ve added 23 photos of Sebastian attending the premiere of Iron Man 3 in Los Angeles from earlier tonight. So good to see him out and about again!
Thanks to Olivia of Lauren-Cohan.net for some of the photos!
– 2013 > 04/24/13 – ‘Iron Man 3’ Premiere in Los Angeles
I’ve added an additional 24 high quality stills of Sebastian from the television mini-series Labyrinth which aired late last year.
– Labyrinth (2012) > Production Stills
You can check out Seb’s entire interview over at PLAYBILL.COM
How did Picnic come about for you? Were you actively looking for more theatre work?
Sebastian Stan: I actually met up with our director Sam Gold about two years ago — in L.A. of all places. I’d heard such great things about him. He didn’t know at the time when or if it was going to happen, but we started discussing Picnic. Then I read the play and thought it was great. I love the ’50s and grew up loving works from that time period and from those great playwrights. Fortunately, the timing worked out, and we were able to do the play together two years later.
So you were already buffing up to reprise your role as Bucky Barnes in the “Captain America: The First Avenger” sequel, “Captain America: Winter Soldier.”
SS: Yeah. And it’s funny, because everyone’s had very different reactions to my physique. Somebody who came to see the show said to me, “Don’t you think you’re in too good of shape for this? No one looked like that in the 1950s.” But I watched a lot of movies from that time period. Because Paul Newman had been in the original Broadway production of Picnic, I watched a lot of Paul Newman movies like “Cool Hand Luke” and “The Long, Hot Summer,” where he played a homeless drifter, and he was in incredible shape — ripped, tan, and glistening. So I didn’t find myself to be out of line when I was physically preparing for the role.
You were only 12 when you moved to the United States. That’s not exactly the most ideal age to be different.
SS: Yeah, it was an interesting time. I really didn’t want to be different at all. I lost my accent — although it still comes out every once in a while — but I just wanted to be like everyone else. It took me a few years to finally realize that I should actually embrace where I come from, because it’s something that sets me apart. In my head, that’s sort of what Hal’s trying to do too. Hal’s desperately trying to be someone he thinks he should be and someone he thinks will fit it. Finally, he comes across someone, Madge, who basically says, “Listen, dude, calm down and stop trying to be someone else, because I like you for you.” The peace of mind he discovers at the end of the play is that it’s OK to own who you are.
I”ve added 248 captures of Sebastian from the two part mini-series Labyrinth, which aired late last year.
– Filmography: Television Projects > Labyrinth (2012) > Captures
You can check out Sebastian’s full interview with Blackbook Magazine over at BLACKBOOKMAG.COM
On the subject of talented actors, in another interview you mentioned learning a lot from fellow cast member Ellen Burstyn. Can you tell me more?
As an actor, in terms of performing the same thing every night, the challenge is to rediscover that sense of truth and be as honest as possible, which is difficult. Being opposite her, there’s always the element of surprise. Working with her leads to new discoveries. She’s a generous actress. She is such a presence that it’s very easy to work off of. I’ve become familiar with her book, which I urge everyone to read. It’s tremendously inspiring what that woman has lived through. Her knowledge extends decades; about writers, actors, movies, books, and poems that have inspired her, so she shares some of that. It’s almost like going to school and learning about all of these wonderful things again. She’s lived an incredible life.
Do you consider yourself a fairly grounded person?
Well, I feel the ground beneath my feet. [Laughs] There were times I wish I could have had a more normal upbringing, in terms of being in one place and going to the same school the entire time. I’m very grateful for where I came from and the way things worked out. I already feel like I’ve come a long way. If this is what’s happened so far, if I keep on the line I’m going, then perhaps many other great things will happen. It’s just the beginning.
So, did you have to get in shape for the role, or is that just your natural physique?
[Laughs] No, that is not my natural physique. Boy, would I love it to be. I did have to get into shape. While I can, I gotta answer some of these funny questions. People weren’t in shape like that back then, no way. That’s so 21st Century. No one can be ripped like that in the 1950s. And for anyone that says that, I would say, go and look at Paul Newman in Cool Hand Luke and The Long, Hot Summer. Just look at his physique in those films. That should answer the question. The play asks very specifically for—it’s gotta be physical. This is how I saw it and so did the director. At the same time, it became a great challenge to want to get into shape. But, it coincides with another little project where I have to be in shape, so why not kill two birds with one stone?
You’ve done TV, film, and stage acting. How do they compare, and do you have a favorite medium?
The biggest thing that sticks out for all three of them is the element of time. In TV, everything goes quick, quick, quick. You gotta shoot a lot in one day. In movies, you have the luxury of taking your time and shooting something over the span of a few months. And then, on stage, you get your rehearsal period, which you don’t often get for TV and movies, so that’s always a very amazing thing in itself, which I enjoy about stage. That being said, TV keeps you on your toes because you gotta go, go, go. You don’t have time to think and reevaluate. In movies, which is ultimately the director’s medium, there’s opportunity for being a part of a really great project because you have the time to shoot the way you want to shoot. If you’re working with a good group of people and you’re enjoying the material, it really doesn’t matter. The final thing I’ll say about stage is, everything you do is in the moment every night. What the audience sees is your creation. It’s not edited. It’s not chopped up. It’s not one version of somebody’s point of view. It’s you up there that the audience sees.